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Another step forward in the technological revolution is here! And it is... the same-old same-old. We had high hopes for enjoying the DVD version of Hollywood's new Jules Verne-inspired Journey, particularly when we learned it had been formatted for 3-D viewing. According to Variety, the movie, after four months of theatrical release and surprisingly consistent business at the box-office, has just passed the $100,000,000 mark, and most educated guesses peg the reason for this success on the ever-recurring "novelty" of 3-D.
As one of those who remember quite well the advent of the original spate of 3-D movies (Bwana Devil, The Maze, House of Wax and many more) -- of which we kids could not get enough, even though our parents yawned and claimed that this spanking new process gave them a headache -- I have now myself come full circle into that head-achy state. A year or two back I attended a screening of a 3-D African Safari movie in New York City's IMAX and found it semi-enjoyable. About half the screen seemed slightly out of focus for most of the running time (which was mercifully short). The effects were fun (for awhile) but the overall feeling I was left with was: This again? And not much better, after all these years?
And that, I am afraid, is my judgment on the new 3-D Journey, at least as it appeared from our couch on a large, widescreen TV. One of the first "effects" -- the appearance of a trilobite -- is cute and offers just about everything that (so far) 3-D is made for. From then on the movie's 3-D effects are either status quo or downhill. So much so, in fact, that my partner removed his 3-D glasses after a very few minutes and we decided to eject the DVD and turn it to the reverse side, where we could watch in 2-D. Once finished, I went back and watched again in 3-D. Believe me, the movie does not merit a second viewing unless you are very, very young. It is a pleasant enough family adventure film, heavy on thrills and short on violence, with a tiny cast (3 people throughout most of the movie!) that works well together: Brendan Fraser, Josh Hutcherson and Icelandic actress Anita Briem. The dialog is passable and sometimes cute, the screenplay gives a genuine and certainly earned nod to original author Jules Verne, and the special effects -- explosions, giant sea creatures, dinosaurs -- are well-enough handled. It's the 3-D effects that lack: out-of-focus backgrounds coupled to the "dark" quality that comes, I am guessing, from the viewing via those red/blue glasses.
So go ahead: be a kid again (particularly if you're the parent of a young child). But park your brain -- and some of your vision capability -- elsewhere.
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