Whether it's the bullying students, their parents, police officials or school administrators, most of these people appear as witless cretins who don't have a clue to what's going on -- or worse, have many, many clues and simply don't give a damn. The film's director and co-writer Lee Hirsch, shown at right, must have either appeared as a fly on the wall or ingratiated himself something fierce to let these people allow him to film what he did. Or maybe they're simply too stupid to understand how they come across. This movie's shocks come not so much from the bullying itself, which has always gone on, but from the uncaring attitudes of so many of the adults. Yes, there are some genuinely caring folks shown here -- at community meetings, and among the parents of the bullied kids, but much of what we see will have you wanting to toss tomatoes, if not hand grenades, at your TV screen and the crass sample of humanity displayed.
Sympathy-wise, it's the bullied kids themselves who register most strongly, the first of whom we see, Tyler, can no longer be helped, as he ended his life before the film began. The others -- Alex, Ja'Meya, Kelby, Devon and a couple more -- come to us and at us like the good kids they are, enduring the kind of pressure and abuse that, I think, can finally cause total flip-outs and school massacres. Alex in particular (above), with his gorgeous Angelina Jolie-like lips (don't give up, Alex: you're gonna be a heart-breaker in a few years!) will break your heart for more immediate reasons, as you watch him endure the kind of bullying on the school bus (even when this footage is shown to the school administrators, little seems to change) that no kid should have to countenance.
Instead of building, Mr Hirsch allows his film to deflate somewhat by the finale, trailing off into the feel-good story of groups springing up around the country dedicated to preventing bullying. Good luck; everything helps. Though attracting enormous media coverage for all sorts of reasons prior to its theatrical release (a hallmark of the fabled Weinstein ability to garner PR), the film did not come near setting the box-office on fire. It should be seen, however. Perhaps home viewing, where families can stop in the middle when necessary to discuss what they're watching, in an ideal venue for this hot-button subject.
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