The time and place in Japan in the 1920s, which makes a nice change from much other animation we've seen, and the pre-WWII background, including an Italian inventor, young Horikoshi, and the German military adds a certain irony to the proceedings, especially for those of us from the Allied side.
"Inspiration unlocks the future; technology eventually catches up," the movie's Italian inventor (above left) tells Horikoshi (above, right) -- an idea of which I'm sure Tesla would approve, and the film spends a surprising amount of time on the details of the technology of flight. And then, in its second half, it becomes a love story that begins in humor and delicacy then morphs into something extraordinarily poignant and sad.
This change is not jarring, however, because the whole enterprise in infused with Miyazaki's rich sense of beauty, mysticism and the natural world. He uses dreams to help forge a new reality and, as usual, his movie is both thoughtful and humane.
Along the way we get everything from a major earthquake to a windswept parasol, and the movie ends all too appropriately in an airplane graveyard and on a note of mysticism and sadness, leavened with as much hope as can be gleaned from a situation this fraught and wasteful. And yet how much beauty and invention Miyazaki has been able to offer us!
From Shout! Factory and running a long but never boring 126 minutes, The Wind Rises is available now for digital download, and will hit the street on Blu-ray and DVD on Tuesday, September 22 -- for purchase and/or rental.
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