Showing posts with label David Kaplan. Show all posts
Showing posts with label David Kaplan. Show all posts

Sunday, March 2, 2014

Mark Levinson/David Kaplan's PARTICLE FEVER: Physics made moving, important, inspiring & fun


If you, like me, too often find yourself angry and depressed upon finishing a documentary film, no matter how well-conceived and -executed it may be, nor whether its subject matter tackles the environment (Last Call at the Oasis), politics/politicians (The Best Government Money Can Buy?), corporate malfeasance (Blackfish) or plain and simple(minded) and seemingly everlasting injustice (West of Memphis), then do let me recommend a new documentary that may very well leave you floating a few feet above the ground.

Instead of stupid, nasty and venal politicians and corporate shills bent on lining their own pockets and letting the rest of the world go to rot, in PARTICLE FEVER, the thrilling and joyous new documentary about -- yes! -- physics, physicists and the Higgs Boson particle, director Mark Levinson (shown at right) and producer/ performer-in-the-film David Kaplan (below, left), both physicists and now filmmakers, show us folk from all over the world and sometimes from countries you would hardly imagine working together (Iran and Israel, Russia and the USA) doing exactly that in order to unlock the mysteries of being and the universe.

This movie will, as few others I've seen, make you proud of the human race -- or at least a small part of it: those scientists who are able to put aside some of the innate negative qualities we humans all possess in order to do something worthwhile for the world. What this entails is, among other things, constructing what we're told is the largest machine ever built, a 7-story tall LHC (that's "Large Hadron Collider," which is shown below while in construction, and further below when finished).

This LHC may strike you, as it did me, like something belonging to one of those mad scientists seen in an early James Bond movie. Except that, unlike those gorgeously pristine set pieces, which those dastardly villains are going to use to conquer the world, this one looks rather "home-made."

We meet some of the folk who've designed and/or made the LHC and will now use it to try to prove the existence of the Higgs Boson particle (more popularly known -- and rather stupidly, I think -- as the "god particle," which set journalists' hearts aflutter back around 2008 or 09, when word of this project reached the media). Back then, some naysayers warned that if scientists used this great machine, it could bring about a sort of black hole that would swallow the world. Well, they did, and it didn't.

The point here (part of it anyway) is to see if physicists can "find" and sort of quantify this Higgs Boson particle, which up to now had been "theorized" but not proven. How they try to do this and what they achieve becomes the meat of the movie, which introduces us to a number of interesting, gifted, and pretty charming "workers" who are collaborating on the project and are happy to share their input. (That's Italy's Fabiola Gianotti, speaking with Kaplan, above, and America's Monica Dunford, emerging from the floor, below.)

Because Levinson and Kaplan are both physicists, as well as -- considering the results they achieve in this movie -- good filmmakers, they manage to make all the theory and practice shown and explained pretty understandable to us peons in the world of science. They also lard their film with enough "human interest" and interesting human beings to keep us attentive and engaged.

Beginning in 2007, they take us up to 2012, when what needs to happen at last does. Along the way, however, we get everything from a little politics (there was actually a project similar to this one here in the U.S. and we see how "seriously" certain members of our Congress -- Republicans, of course -- took that project) to a little history of our participants, some physics theory and the run-up to the big day that will show the world something hoped for... or perhaps completely not: order vs chaos. (That's too simple, I know -- but then, I'm no scientist.)

The filmmakers mange to create some genuine suspense as the climax approaches, even as they are also making would-be, possible physicists of us all. I found myself realizing how incredibly "uncurious" I have been through most of my life, and then grateful for how very curious were these many scientists. Mostly though, I think you'll come away from this wonderful little movie feeling gratitude that these people from all over the world could come together to effect a project like this one -- leaving behind their own country's crass and crappy politicians stewing in their smelly, fermented juices -- to help science make some real progress.
(In the final section of the film, we get a nod to Herzog's Cave of Forgotten Dreams, along with the thought that perhaps our physicists are the cave painters of today -- thus beautifully equating the importance of art and science and society's enormous need for them both.)

In the very classy credit sequence for this film, you may notice names like Walter Murch -- yes, that Walter Murch -- as editor) and Robert Miller (for music), both of whose work adds extra luster to this captivating documentary. Particle Fever, from Abramorama and Bond 360 and running 99 minutes, opens this Wednesday, March 5, in New York City for a two-week exclusive run at Film Forum. In the days and weeks to come, it will open all across the country. To view all currently scheduled playdates, with cities and theaters, simply click here.

NOTE: In-Person Events at Film Forum: 
Wednesday, March 5, 6:00 show--Director Mark Levinson 
    and Producer David Kaplan with physicists from the film 
Friday, March 7, 8:00 show--Mark Levinson 
Saturday, March 8, 3:15 show--Mark Levinson 
with physicists from the film

Friday, February 11, 2011

David Kaplan's original and wonderful YEAR OF THE FISH makes a belated DVD debut


Trailing one of those "success" stories that many young filmmakers would die for, YEAR OF THE FISH, after wining awards at various film festivals, opened at New York's Angelika Film Center at the end of August 2008 to a set of simply lovely reviews. Almost nobody (including your truly) came to see it, however, and the film was yanked a week later without being given ample time to build its audience. Fortunately, its distributor Gigantic Pictures also streamed the movie, which, back then, in the early days of streaming, probably got it to the attention of at least a few more viewers that did its very limited theatrical release. Now, two-and-one-half years later, the "Fish" is finally making its DVD debut.  It proves more than worth the wait.


The film, from a young writer/director named David Kaplan (shown at left) is an original. It does not compare to anything TrustMovies can readily call to mind. Jumping off from one of history's most famous fairy tales --  but setting it in a New York Chinatown massage parlor (so it's not for kids or the sexually uptight) -- it is filmed in the Rotoscope animation process, used by movies as varied as Waking Life, A Scanner Darkly, Who Framed Roger Rabbit and Fire and Ice, among many others. From even this short list, it's clear that the animation style can vary wildly from one film to another, and Year of the Fish indeed falls into a "look" that is very much its own. Often realistic (at times it seems just a step away from live action), it is also highly impressionistic, using a brilliantly colorful palette and scene changes made by heavy artist brush strokes that literally "paint" over the screen.

Kaplan's combination of fairy tale elements with adult situations make for a decidedly unusual mix. "Look: he's saying 'hello'!" our heroine's first customer at the massage parlor tells her as he turns around, full-frontal, to face her. The filmmaker also ensures that these situations ring true: the new immigrant from China, a signed contract, forced servitude, her employers' holding on to her passport, and so forth.

Along with the realism come the fantasy elements --some are dark ("pet"-ricide and a sweatshop ruled over by a vengeful deity, below) and some sweet (our hero, at left, is a handsome, kind, old-fashioned musician who even takes good care of his grandmother) -- yet the two coincide surprisngly well. One of the dearest, smartest touches is to have the film narrated by a fish, whose deprecating ruminations provide humor, wit and the loveliest and most profound of philosophical endings -- one that combines that fairy tale with eastern religion (the filmmaker's take on it, at least) and even a bit of Goodnight Moon in its graceful nod to (and understanding of) all the characters -- even those we thought we hated.

Interestingly enough, Mr. Kaplan went on to make the recently released, feel-good food movie Today's Special, which had its admirers, though I was not among them. I'm glad I did not realize that the same director made both movies, or I might have neglected to see his earlier work -- a film which, if I'd caught upon its theatrical release, I would have ranked with the best that 2008 had to offer. One word of warning: The unusual animation process may initially put you off, as it did my companion -- who stopped watching within five minutes. I would suggest you give it a further shot, for once the movie takes hold,  it will not easily let you go. Available now for sale or rental, The Year of the Fish may very well be a classic.