Showing posts with label John Mitchell. Show all posts
Showing posts with label John Mitchell. Show all posts

Friday, January 29, 2016

PORTRAIT OF A SERIAL MONOGAMIST: Mitchell & Zeidler's whiz-bang lesbian rom-com opens


Los Angeles' Arena Cinema in Hollywood heralds the theatrical debut of one of the most charming, clever, funny and generally all-round adorable lesbian rom-coms this critic has seen in a long, long time: PORTRAIT OF A SERIAL MONOGA-MIST, which opens today, Friday, January 29, at this popular venue for independent film. Written and directed by John Mitchell & Christina Zeidler -- shown below, with Ms Zeidler on the left -- the movie hails from Canada, where they know how to do this kind of thing right.

"Right" meaning real, smart and subtle but also theatrical enough to entertain and amuse. This is no easy task, but thanks to the skills of Mitchell and Zeidler and the quite lovely and enterprising cast they have assembled, the movie turns out to better than you might possibly imagine. We're in rom-com territory, of course, specifically the lesbian variety, but instead of insisting on embracing every last cliche of the genre and sub-genre, Portrait instead involves a lot of just-off-center behavior and ideas, to the point that we're almost constantly chuckling along with the characters here, even as we do indeed understand the importance of where they are coming from -- and why.

The main character -- that serial monogamist, who is alerted to her "status" by one of her best friends --  is a not-quite-young lady named Elsie, played with great joie de vivre and just the right amount of trepidation by a very charming and lovely actress (shown above and below, right) named Diane Flacks.

The movie opens with her sudden split from a long-time girlfriend, done in a rather original manner, which leads to much humor and a little heartache down the road, as we follow Elsie in her adventures with a new woman, her old flame, her mom, her boss and co-workers, as she tries to figure out just who she is and what she's doing.

It's a keen and surprisingly bracing adventure of learning, feeling and doing -- with the comedic high point a funeral for a cat (shown above) that brings together many of the folk we've gotten to know. This scene is so bizarre yet real, honest yet hilarious that it will probably remain in my memory for as long as I have one.

The cast -- uniformly interesting and good, with all its members looking more "real" that you often find in films like this -- includes former SNL alumnus, Robin Duke in the choice role of Elsie's dizzy, funny mother, and an actress new to me, Carolyn Taylor, (above, left) who plays Elsie's suddenly-ex girlfriend. Ms Taylor -- alternately moving and funny, confused and angry -- offers up an almost shockingly on-target performance in this unusual role.

As Elsie's new love interest a very beautiful actress named Vanessa Dunn (above) sparks up the movie with her low-key appeal and bright, off-hand intelligence. All in all, this is an unsually fine example of the genre, one that will certainly appeal to LGBT audiences and might just cross over into the mainstream, as well.

From Wolfe Releasing, Portrait of Serial Monogamist opens today at the Arena Cinema in Los Angeles and almost immediately thereafter (on Tuesday, February 9th) hits DVD and VOD via Wolfe Video.

Monday, February 3, 2014

Stream a charmer: Mitchell & Walker's adorable sci-fi/musical, THE HISTORY OF FUTURE FOLK


Irresistible. That pretty much covers this one-of-a-kind sweetheart of a movie, THE HISTORY OF FUTURE FOLK, directed by John Mitchell (no, not Martha's late husband) and Jeremy Kipp Walker, with a screenplay by Mr. Mitchell. From the Netflix description alone, you might just stick this one on your to-see list. That would be a good thing because the movie itself is so enchanting and endearing in its simple, storybook manner that, if you love tall tales and movies done with a tiny budget and major talent, you can't go wrong.

Mitchell (shown at left) and Walker below, right) conceive a story of an alien race come to take over earth via one, General Trius from planet Hondo (yes, let's hear a shout-out to John Wayne!). But then, our general hears something that makes him immediately fall in love with earth and decide to stick around awhile.

Soon, he is joined by a second alien named Kevin, sent as a follow-up plan to make certain the
original plan is followed -- and fast. But Kevin, too, quickly succumbs. Soon this very odd duo are making music and singing their bizarre-but delightful little songs to an ever more crowded Brooklyn bar-and-stage venue. The story here is simplicity itself, and so are the songs our two heroes sing. Yet the music -- bluegrassy and sweet, with lovely harmonies and lyrics that make you listen and grin -- is (in the best sense of the word) precious. And the telling of the tale is done so sweetly and straight, with hardly a moment pushed or a feeling overdone, that tagging along is as easy as pie.

The cast is just right, too -- from the hunky/handsome General Trius (Nils d'Aulaire, at left) and the rotund and comic Kevin (Jay Klaitz, below) to the lovely girls in their lives Julie Anne Emery, April L. Hernandez and Onota Aprile (yes, Maisie from What Maisie Knew!) -- so that the combo of writing, directing and acting joins forces to create something just about perfect. Keeping all the balls in the air -- and everyone concerned on the same page (to mix some metaphors) -- is never easy in a film in which so much depends on precisely the right tone. But everyone here manages to carry it off beautifully. So much so, in fact, that rather soon after the film starts, you simply relax into its oddness, lean back and enjoy.

As much as a sweet sci-fi tale, the movie is also a paean to the joy of music -- something that nearly all of us can understand and believe in, I think. It imagines a world quite similar to Brooklyn in which police are kind and helpful, and your neighbors are, too.

It even imagines a universe in which one world can aid another, even if -- for the sake of a few moments of scary monster stuff (above) -- we meet that proverbial fly in the ointment.

So grab your kids (or grandkids; in fact any other family members and friends), sit 'em down in front of the TV, and give them and yourself a whopping good time. You can catch The History of Future Folk now via Netflix streaming, as well as on Amazon Instant Video -- or on DVD, for rental or purchase.