Korean streaming -- IRIS: The Movie conflates 20 hours of TV into a not-bad spy/action/thriller

I am told that IRIS: The Movie has been adapted from a something-like 20-hour South Korean television series that was very good. Winnowing all that down to a mere 117 minutes (the length of the version that Netflix is currently streaming) would certainly leave a lot on the cutting room floor. Still, what's left is pretty good fun -- if you're a fan of South Korean film and enjoy watching gorgeous Asian actors strut their stuff for directors who can provide plenty of action, thrills, love, betrayal & gunplay.

TrustMovies also wonders if Bobby Boermans, writer/director of the current APP didn't maybe see this movie or TV show -- because the titular APP in his film bears the name IRIS and is up to no good, just as is the IRIS of this movie -- a rogue organization interested in power and money and so of course wants to keep the two Koreas separate.

The plot is all over the place but among the threads that you'll probably be able to piece together are two best friends, both attracted to the same woman; two woman, attracted to the same man; and that IRIS organization and what it is up to -- which includes betrayals by the second.

In the leading role is one of the world's sexist and most handsome men, Lee Byung-hun (above and below, of I Saw the Devil and The Good, The Bad, The Weird), who acquits himself splendidly as a James Bond-ian sort of hero. Is there an actor more "watchable" than Mr. Lee? That face. That lean, tall, muscular body which, in action, is a thing of beauty. The rest of the cast isn't bad either, in the looks and the acting department.

Tears flow copiously, but they don't begin to rival the body count. Finally, when a terrorist (read IRIS) mega-bomb is planted in the heart of Seoul, the suspense begins to build a bit. As often happens in films from South Korea, happy endings, though fervently hoped for, do not always materialize. Which just adds to this movie's special pleasure/pain syndrome.

IRIS: The Movie -- directed by Kim Kyoo-tae and Yang Yun-ho, can be streamed on Netflix now, as well as via other sources. 

THE GOOD, THE BAD, THE WEIRD opens: Spaghetti Western with a twist

The Wild West: An ancient locomotive speeds along a railroad track, as the passengers in the cars behind it chat, snooze, play cards, or nibble on food.  Down the aisle comes the snack-seller hawk-
ing treats, and we hear the dulcet call, "Candy! Rice cakes! Independence for Korea!"

Yup: We're long past Kansas, and so much farther west of California that we're east.

To be honest, we already know this, as THE GOOD, THE BAD, THE WEIRD (yes, it is definitely meant to remind you of The Good, the Bad and the Ugly) has already begun with a scene in which a sleek, handsome but slightly scary young Asian man has been given an assignment from an older, powerful and probably lethal fellow that involves the delivery of a valuable map. Then we see a scene of hawks and vultures stealing carnage and suddenly all hell breaks loose, as bandits and bad guys of every sort seem intent on steal-
ing that map -- which you immediately suspect to be a McGuffin. You'll be right.

Within minutes this bizarre and utterly captivating movie will have you in thrall.  Robbery, gunfights, betrayals and counter-betrayals.  Stylization that's swift, smart and gorgeous.  Saturated colors so rich and deep, you'll swear they're about to drip off the screen.  And three leading men every bit as charismatic as the Eastwood-Van Cleef-Wallach team from that earlier film: Jung Woo-sung (from The Warrior, as the Good, shown two photos above), Lee Byung-hun (from Joint Security Area and 3 Extremes, as the Bad, shown on poster at top) and Song Kang-ho (from Memories of Murder and The Host, as the Weird, shown above). 

Kim Jee-Woon's movie is a one of those art-house/film buff crowd-pleasers that nearly everyone can enjoy.  Mr. Kim (shown at left), who has ear-
lier given us the much-praised Tale of Two Sisters and A Bittersweet Life, is clearly intent on trying out all sorts of genres, and doing each to a fare-thee-well.  As much as I love Korean films, I have noticed that they do tend to go on (and on). Koreans, I guess, expect their money's worth, and this movie, at a two-hour-and-ten-minute length, certainly gives it.

I suppose you could trim the film, but truthfully, every time it threatens to dissipate, something happens -- a chase, a killing, a surprise, a change of venue (underground brothel, anyone?) -- that we're back on track and moving like crazy.  And did I mention that what looks like half the Japanese army also wants that map.  (This movie has a very big budget.)

Kim's visual sense is so on-target and so much fun that you will probably sit there, as did I, happily gorging on the colors, costumes, the beauty of two of the three leading men, and one after another stunning visual set-up.  And isn't that diving bell -- shown below -- a little out of its usual venue? Don't ask.  Just watch, laugh and marvel.

The Good, The Bad, The Weird opens this Friday, April 23, at IFC Center and is also available On-Demand.  If you're not in NYC, click here to determine how to get it -- though in truth, the big screen is the way to watch this one.