Documentarian Morgan Spurlock is also a satirist. Of sorts. From Super Size Me and Where in the World Is Osama Bin Laden to the more recent The Greatest Movie Ever Sold, he's making fun of (some of) us and our popular culture and what this is doing to our country. But as Spurlock is growing older and perhaps wiser, he also appears to be growing a bit gentler. That, in any case, is how it seems with his endeavor, COMIC-CON EPISODE IV: A FAN'S HOPE, which takes on the famous (or maybe infamous, depending on how you view it) comic book convention that occurs annually in San Diego, California.
Spurlock, shown at right, travels there and gets some face time with a lot of different people concerned with the convention -- from its organizers, to the man who's been hawking comics there and/or elsewhere for decades, fans who've come from all over to be there (including one cute pair, the male of whom is planning to propose to the female on premises), a bunch of celebrities (from Harrison Ford to Kevin Smith) who are helping to hawk their latest wares, Marvel Comics' most famous name Stan Lee (and other hot artists) and some of the young would-be artists who've come here to try to interest the pros in their work. Oh, yes, and one particular troupe of performers (below) who are planning to put on an act as part of the "costume" portion of the show.
The filmmaker is not unaware of how Comic-Con has grown and changed from a convention primarily interested in comic books into the major yearly hawker of new product (generally movies, video games, or TV shows) that are in some way related (fantasy, sci-fi, action and other popular genres) to those comics. And so money and marketing, once again, conquer all. This theme seems a major part of all of Spurlock's work and it is why TrustMovies, along with many others, values him and his films.
While his targets (from fast food to product placement) may often seem like sitting ducks, his view is more inclusive and his satire less scathing and more generous than may initially be apparent. With the Comic-Con film, this is particularly true, so that, though we might (I certainly did) initially laugh aloud at much of what we see here, once the filmmaker sticks with his subjects for a bit, each takes on a life of his or her own, and we find ourselves rooting for them all, no matter how nutty they might have first appeared.
I admit to being a little bored by the subject and, in fact, with the movie's content, over its first half hour, probably because I'll never attend Comic-Con nor will I feel I've missed anything (particularly now that I've seen this film). But I must also admit that, by the end of the movie, I was with it -- and its many odd characters -- one hundred percent.
Comic-Con Episode IV: A Fan's Hope (from Wrekin Hill Entertainment, 88 minutes) opened last week in Los Angeles, Seattle and San Francisco -- and opens this week in New York City (at the Village East Cinema), Philadelphia and Boston. I also noticed it available via VUDU, which probably means it's already viewable on VOD.
Showing posts with label Morgan Spurlock. Show all posts
Showing posts with label Morgan Spurlock. Show all posts
Thursday, April 12, 2012
Thursday, April 21, 2011
Spurlock's back -- POM WONDERFUL PRE-SENTS: THE GREATEST MOVIE EVER SOLD Roundtable Q&A with the filmmaker
First question: How will theaters fit that entire title onto a movie marquee? Second: Will Pom Wonderful sue Morgan Spurlock each time its name is left off? You'll have your own questions before, during and after viewing Mr. Spurlock's new "documentary" POM WONDERFUL PRESENTS: THE GREATEST MOVIE EVER SOLD, for this prankster/documen-tarian (Super Size Me, Where in the World is Osama Bin Laden? one episode of Freakonomics) is at it again: creating some of the most ephemeral documentaries ever seen, films whose scenes seem to disappear even as you are watching them -- though, in the moment, you're feeling vastly amused and royally entertained.
That's the filmmaker himself -- unclothed on the poster, top, and dressed in his sell-out suit, above, for PR appearances (that's how he looked when we met him for the roundtable discussion, below). Mr. Spurlock is one hell of an entrepreneur, which makes him great entertainment on the one hand and bit suspect on the other. Can we trust anyone this clever and facile? The nice thing is, we don't really have to. The filmmaker himself is such a large part of each of his "entertainments" that he obliterates the line between subject and object, making a joke of both himself and his movies.
And yet each one is a serious entertainment, with a subject that demands attention and respect. How can we let McDonalds' and other fast food chains fill our populace up with unhealthy crap? Why has the U.S. government let Mr. Bin Laden slip through its fingers time and again? And now: Are you aware, America and the world, of the devious selling methods of "product placement" in movies and what this does to your feeble little brains and ever-lessening pocketbooks? You will be, once you've sat through Spurlock's latest endeavor, in which he goes out to companies large and not-so in an effort to fund his movie -- which is nothing more than one big, fat, full-length product placement.
That's Lynda Resnick, two photos above, the owner/CEO of POM Wonderful, the company that -- as you can tell from the film's title -- became the biggest of Spurlock's bankrollers. The fellow immediately above is Stan Sheetz, President/CEO of Sheetz, Inc., a Pennsylvania-based food-and-gas chain that also forked over some moolah for the cause. Both CEOs prove smart and witty folk with a sense of irony that seems a good match for the moviemaker's own. They know and appreciate what each other are doing.
Spurlock also talks to movie-makers such as J.J.Abrams (above) and Peter Berg (below) who offer some sensible, telling thoughts on the subject.
Also interesting are the views of people like social critic Noam Chomsky (below)
and Ralph Nader (below). This consumer advocate and scourge, we learn, has a particular interest in footwear....
I doubt I've ever seen a better example of a filmmaker having his cake and eating it, too, than this very singular, very weird movie. Further, we critics and viewers are doing the same thing, as we revel in the awfulness of product placement and then join in its celebration via the film. In fact, I had my first taste of Pom Wonderful pomegranate juice, at the press screening, and then again at the press conference with Spurlock. And, man, that's some good stuff! (There: I've done my bit to help market Pom, though my downstairs neighbor warns me that it gives her the runs.)
Over the next few weeks and into the summer, Greatest Movie Ever Sold is getting a major roll-out from its distributor, Sony Pictures Classics. Click here to see the film's release schedule -- dates, cities and theaters -- and to find a location, we hope, near you.
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What a guy is this Morgan Spurlock: glad-hander supreme, exceptional entrepreneur, and a moviemaker who can seemingly get away with just about anything. I wouldn't trust him as far as I can throw him, but I also wouldn't miss seeing any of his movies. Spurlock was in fine form at the roundtable discussion with bloggers and on-line critics a couple of weeks ago, answering all of our questions with flair and dispatch.
I don't know that any of us present learned much more from the "interview" that we already knew going in, but the movie-maker was extremely funny and smart, chatting about everything from the music for his film ("the greatest music ever written") to his time in Brazil, his chatting with big-time movie-makers and other entrepreneurs (like Outkast's Big Boi, above) about the "art" of product placement, and all the rest.
I am deliberately not giving you the transcript of the Q&A because (1) I am pressed for time and (2) it's pretty standard stuff -- kind of pre-processed and digested. Really, you need to see this movie to fully appreciate it. Everything else is just frou-frou.
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