The death of a sibling is difficult enough, I should imagine (being myself an only child), but the death of a twin at an untimely age must be one of the most difficult losses to endure. That is the tale told in Switzerland's entry into this year's Best International Film "Oscar" race, MY LITTLE SISTER, which opened in virtual cinemas earlier this year and this week hits home video. But if you are now expecting some dreary slough through pain and distress, relax a bit. Oh, the pain and distress are certainly there, but also present is one of the most lively, dramatic, vital and thoughtful films of this past year.
Written and directed by Stéphanie Chuat (at right, above) and Véronique Reymond (above, left), the movie insists upon liveliness over all, despite its somber theme which is shown us at the outset. This liveliness is certainly due in great part to the family in question being a highly theatrical one. The self-involved and perhaps now slightly demented mom (the wonderful Marthe Keller, below) was a noted actress and her late husband an evidently famous theater director.
Their son (played by Lars Eidlinger, below, right), now ill with leukemia, is a well-known actor, while his "little" sister (born a couple of minutes after him) is an equally famous writer (played by noted German actress Nina Hoss, below, left) -- who appears to have given up her career to act as her brother's ever more full-time nurse.
Sis, however already has a loving husband (Jens Albinus, below, right) and two children -- all of whom demand her time and energy. In fact, her hubby's own career is currently taking off, and -- as helpful and caring for her brother as he already is -- he needs his wife's attention even more just now.
All this is communicated in near fast-and-furious fashion that somehow never detracts from the imminent pain and sorrow with which these characters are constantly dealing. The very vigor and energy of the film makes these people and their situation all the more believable and important. Clearly the filmmakers understand how life and its constant, immediate demands vie for attention -- no matter how awful the surrounding circumstances might be.
Ms.Hoss and Herr Eidlinger could hardly be better (I can't think of an actor who's portrayed the pain of cancer any more convincingly), and supporting performances are aces right down the line. My Little Sister lasts but 100 minutes, yet by its conclusion, you'll have lived through what may seem like a lifetime or two -- and have been entertained and learned a hell of a lot in the meantime.
From Film Movement, in German and French (and a bit of English) with English subtitles, the movie -- after a theatrical release early this year -- is now available via DVD and streaming. Click here for more details on how and where to view.
Showing posts with label Stéphanie Chuat. Show all posts
Showing posts with label Stéphanie Chuat. Show all posts
Tuesday, April 13, 2021
Thursday, September 25, 2014
Michel Bouquet in full bloom: Stéphanie Chuat & Véronique Reymond's THE LITTLE BEDROOM
Americans (of a certain age, at least) know their French Michels pretty well: There's the late Michel Serrault (La Cage aux folles) and Michel Simon (Port of Shadows), Michel Piccoli (La belle noiseuse) and Michel Blanc (Monsieur Hire). But what about Michel Bouquet? Last seen on theses shores in the title role of Renoir, the actor, shown at left and below, will turn 89 this November. He's a splendid talent, and although Bouquet has been working in film since 1947, it was probably the quick succession of The Bride Wore Black (1968), Mississippi Mermaid ('69) and Borsalino ('70) that brought him attention here in the USA. He's still at it, dishing up a fine performance with each new movie, and though it has taken THE LITTLE BEDROOM (La petite chambre) four years to reach American screens, the wait was worth it, for this is one of the actor's finest roles.
The story here will hit home for most western cultures, due to the age and situation of its leading character, Edmond (played by Bouquet): Approaching his dotage and growing both physically and mentally frail, though thankfully with a dry and dark sense of humor, Edmond has been moved to the town where his son dwells and is supplied with a pretty nice apartment in which to live. (Granted there are a lot of stairs to climb, but, hell, it's exercise!)
Our senior citizen is also supplied with a young nurse/home-care attendant named Rose (Florence Loret Caille, above, left) to provide the needed help -- which, of course, Edmond rejects out of hand. Rose herself could use some help, suffering as she is from grief and loss. Her husband, Marc, played by that fine actor, Éric Caravaca (below), does what he can, but no, it's is really up to Edmond and Rose to guide each other into repair.
Their film is full of little touches -- like the family at the finale who photographs Edmond -- that seem both special and real. The dialog is spot-on (both women wrote the film as well as directed it), letting what exposi-tion we need tumble easily from the conversations between characters.
Finding ourselves through helping others is certainly a time-tested means of growth and change -- as well as helping a movie about this very subject appeal more strongly to its audience. That's the case here, and by the end of The Little Bedroom -- another of those small films that bites off just what it can chew and digest -- I think you'll be very pleased that you viewed it.
The movie -- a Switzerland/Luxembourg co-production distributed in the USA by Cinema Libre Studios and running 87 minutes -- opens here in New York City tomorrow, Friday, September 26, exclusively at the Cinema Village. Los Angeles audiences will get to see it come October 3, when it opens at Laemmle's Music Hall 3, Town Center 5 and Playhouse 7. And as with most of Cinema Libre's output, it will be available in other formats, as well. The Little Bedroom hits DVD, Amazon Instant Video and Vudu on December 9th.
Subscribe to:
Posts (Atom)













