Showing posts with label Stephen Campanelli. Show all posts
Showing posts with label Stephen Campanelli. Show all posts

Monday, November 30, 2015

Action! MOMENTUM hits DVD -- and a short chat with its director, Stephen Campanelli


When MOMENTUM arrived in theaters six weeks ago, TrustMovies was more than a little impressed with its fine action sequences, as well as its overall visual sense. (His original review can be found here.) So, when the opportunity arose to have a quick chat with its director, Stephen Campanelli (shown in the photos below), TM said, "Sure!" and the result can be found here -- with TrustMovies' questions in bold and Mr. Campanelli's answers in standard type.

TrustMovies: You have a real facility for action – making it fast, quick and most important understandable. 

Stephen Campanelli: Thanks. I’m really happy to hear you say that because I wanted to make the movie exactly that, a smart, fun action film that keeps you on the edge of your seat.

TM: How did you choose this project? Did it fall into your lap, or did you find it and help push it through.

SC:  A bit of both, actually. My composer who did the score recommended me to the producer, and they sent me the script. I liked it. It needed some work, so I gave them my ideas, which they went with. And it just happened.

TM: That sounds like it was pretty easy, overall… 

SC: Yeah -- things don’t normally work that well. This was a very rare thing.

TM: I liked the overall visual sense in the movie – as well as how you made the action both comprehensible and real.

SC: I’m a very visual person so I tried to give it the most visual impact that I could; And keep the movie short, too, so that people would remain engaged for the whole ride.

TM: And we were! Boy, James Purefoy makes such a great villain. 

SC: Doesn’t he!

TM: And Kurylenko was a great choice here, too. She manages to make her lean, lithe body look like a real weapon. 

SC: Olga was a dancer and a model and so she’s slim. I wanted her to seem like a normal person who has these amazing skills so that any woman might say, hey, maybe I could do that!

TM: What are you working on now?

SC: I did a second movie which was a 2-hour pilot for Fox that we shot in Brazil. It's called Rio Heat, a kind of Moonlighting type show about two cops working together who argue all the time, with Harvey Keitel, (above, right)  playing their boss in a kind of Charley’s Angels manner. This is more of a comedy action film than Momentum. More light hearted.

TM: When might we see it? 

SC: It’s still in the process of being sold. We just finished editing it, and we're now trying to get it to different networks. We hope to see it out within a year. The stars are Victor Webster and a wonderful and beautiful Brazilian actress, Thaila Ayala.

TM: How did Momentum's South African location come about?

SC: The script was first based in any North American city, but because the producer and some of the money was South African, we decided to shoot it there.

TM: Shooting in a city we don’t see a lot is more interesting, I think. I also like the way you handled the violence in the movie. There’s plenty of it, and it is – particularly the threat of it – pretty awful. And yet you never quite overdo it. This is a difficult line to walk without toppling over in either direction. 

SC: Thanks. That’s what I wanted to do. I didn’t want to bury the viewer in gore and guts. I wanted to show the violence as part of who these people are, but not to glorify it and make it gratuitous. I could have toned it down more, but because this was a smart movie, I didn’t want to have to do that. But I also didn’t want to use it to titillate.

TM: What about a sequel? Momentum leaves itself wide open—in fact, it practically promises us one! 

SC: We’re hoping the film does well enough, overall, so that this will happen. Olga would do it in a heartbeat, and if we give Morgan Freeman (shown above, left) a bigger role, he will, too. So I already have some good ideas for this. I’d love to do it again. A sequel might be able to deepen things, too. We would probably do the closure on the second one, rather than make a trilogy of it. But, again, if it got popular enough….

I also love it when a film has a strong female protagonist in the lead So, yes, I really hope we can do the sequel.

***********

Momentum, released to Blu-ray and DVD via Anchor Bay Entertainment, hits the street tomorrow, Tuesday, December 1 -- for purchase or rental. For more information, click here.

Thursday, October 15, 2015

Stephen S. Campanelli's knock-your-socks-off MOMENTUM offers exactly that -- in spades


Say hello to a nifty new action director, whose first film -- MOMENTUM -- proves an object lesson in how to make a first-class action film on maybe one-tenth of the budget of one of those Hollywould-be blockbusters that bore us to distraction with their not-so-special effects. The poster, right, may be one of the least interesting, design-wise, to be seen in many a day, but the movie it heralds is a case study is how to do things right. The filmmaker, shown below, is a fellow named Stephen S, Campanelli, whose resume boasts nearly one hundred credits in the camera and electrical department. Momentum is his first film as director, and TrustMovies would like to suggest that this upgrade in position become permanent.

With action films one tends to blame or praise the director for the visuals on view. In retrospect, after watching Momentum, I found myself also wondering how much the smart, tight screenplay by Adam Marcus and Debra Sullivan contributed to the film's success. Beginning with a voice telling us its intention to bring America back on course (uh-oh!), the movie returns to this voice and finally visage (yes, it's Morgan Freeman, playing quite against his usual type and taking us back to one of his earlier film roles). Marcus and Sullivan bring this character back briefly at various intervals and then hugely at their denouement -- which can only mean that a sequel is in store. I hope so; I'll be first in line to take a look.

The film's two stars turn out to be perfect choices for their roles. Olga Kurylenko (above) makes a swift and savvy, no-nonsense heroine, and she is matched well by James Purefoy (below) as her nemesis. Kurylenko is lithe and can handle, with some help from her body double, the action quite believably, while Purefoy -- a man whose demeanor and visage, even in repose, are enough to scare the pants off you -- makes his nasty villain a more-than-memorable one.

The movie's initial visual brilliantly combines a drum concert and a jewel heist by robbers in costumes that may make you imagine this to be some sci-fi film. You may also think the opening quite swell but wonder if the film can possibly match this segment down the road. Not to worry. It simply gets better and better.

It does this by giving us as much action -- hand-to-hand combat, foot and car chases -- as we could reasonably want while subverting many of the genre's cliches. You know the one about the auto speeding
toward the parking lot entrance in which those don't-drive-over spikes are protruding lethally? Just wait. And what about the mother and child in imminent danger from the bad guy? Again, there's something new here, too. Even the requisite "torture" scenes offer enough subtlety and difference to stand out from the pack.

Via suspense, action and surprise, Momentum keeps its momentum going full speed ahead. Only at the end does it suddenly seem a bit simple. And yet, that's the set-up for the sequel. Would we want to deny this tale that?

Don't think so. To watch Ms Kurylenko face off against Mr. Freeman and his henchmen ought to be, what? The bees' knees, the cat's pajamas, and the action lover's dream come true.

Momentum -- from Starz Digital and running 95 fast minutes -- opens tomorrow, Friday, October 16, in the dozen theaters/cities listed below, while simultaneously becoming availale for viewing via VOD.
New York, NY: Cinema Village
Los Angeles, CA: Arena Cinema
Atlanta, GA: Plaza Theater
Chicago, IL: Facets Cinematheque
Cleveland, OH: Tower City Cinema
Columbus, OH: Gateway Film Center 
Dallas, TX: Texas Theater
Detroit, MI: Cinema Detroit 
Houston, TX: AMC Gulf Point 30 
Miami, FL: AMC Aventura Mall 24 
San Francisco, CA: 4 Star Theatre
and Toronto, Canada at the
Magic Lantern Theatres' Carlton Cinema