Showing posts with label chimpanzees. Show all posts
Showing posts with label chimpanzees. Show all posts

Saturday, May 21, 2016

Civil rights & animal wrongs: Chris Hegedus & D.A. Pennebaker's doc, UNLOCKING THE CAGE


I don't think you have to be an animal rights activist or a PETA person to appreciate the new documentary, UNLOCKING THE CAGE, but I suspect you do have to care enough about animals not to want to see them abused -- particularly those species who have been proven to be "cognitively complex," as have chimps, dolphins, whales and elephants. (This last one was news to TrustMovies, who grew up believing the old saw that an elephant never forgets. Evidently they do a hell of a lot more than merely that.)

As directed by the prolific and interested-in-just-about-everything husband/wife team of Chris Hegedus (at left) and D.A.  Pennebaker (below) -- who've given us a fine bunch of documentaries from Town Bloody Hall through The War Room, Moon Over Broadway, Elaine Stritch at Liberty and more recently the delightful Kings of Pastry -- this new one is among the most moving of all of their work. As usual, though, the pair never attempts to jerk tears:
H & P are content to simply show -- and let their subjects tell. In this case those subjects include not just the "animal rights" lawyer Steven Wise (below) and his legal team, known as the Nonhuman Rights Project, but also a few of the animals (especially certain chimpanzees) for whom Wise and team are trying to obtain "limited personhood rights." Does this mean we must concede that these animals are the same as people? Not quite. Wise is quick to acknowledge the differences, while maintaining the need for greater protection via increased "rights."

"We're trying to change the way humans view nonhuman animals," the lawyer, shown above, declares right up front. He also acknowledges the work of Peter Singer as one of his major inspirations. And now that our own Supreme Court has acknowledged corporations -- and even, as the doc points out, business partnerships -- as "people," why not chimps? Well, first off, Mr. Silly, because the rich and the corporate won't get richer and more powerful by giving personhood to chimps, as they did via the personhood-to-corporations route.

And so Wise and his team -- supported by the research of international primatologists, as well as by evidence of the living conditions of several of these chimps, shown below (along with one bonobo, above) -- take to America's court system to get the job done. Talk about a Quixotic enterprise!

And yet, damned if that enterprise doesn't begin to get somewhere, after all. The road is uphill and hugely difficult (along the way the chimps that the team plans to use as clients keep dying off), but -- as the documentary shows us, rather in the manner of a low-key-but-enthralling courtroom tale -- things do begin to change.

One of the great things that the filmmaking team allows us to see is the competing viewpoints -- both of which are presented quite intelligently -- from the side of the current establishment invested in seeing that things do not change and from that of Wise and his little group.  One of the film's best scenes shows us a mock trial in which what our "hero" has to say in called into question. Especially interesting is how the team uses the writ of habeas corpus in its plan to convince the court. (As Wise points out, after one particular setback, "We're trying to expand the writ of habeas corpus [to include animals], and the court has responded by trying to cut the writ back for humans!"

There is irony aplenty here, but there is also, as the French might say, Liberty, Equality and (hmmmm...) Fraternity, too. By the film's finale, it is pretty amazing how convincing, moving and even kind of thrilling Hegedus and Pennebaker have made the Nonhuman Rights Project's cause.

From First Run Features in association with HBO Documentary Films, Unlocking the Cage, opens this Wednesday, May 25, at New York City's Film Forum, and will then expand nationally in June. Click here to see all currently scheduled playdates, cities and theaters.

Monday, September 12, 2011

Lorenz Knauer's JANE'S JOURNEY concen-trates on the work of one hell of a woman


We get some up-close-and-personal information about Jane Goodall -- the British primatologist and anthropologist considered to be the world's foremost expert on chimpan-zees -- in the new documentary about her that opens in New York this Friday and in Los Angeles, Friday next. But mainly what we see, hear and come to understand has much more to do with her work, early on with those chimps, and even more impor-tant, now, as she strives to save a dying planet and to bring us along with her on that mission.

Let's admit it right out: This film is hagiography of a sort. But when the folk around the subject at hand love and respect her as much as they clearly do, it's rather difficult not to present the woman as something special. Film-maker Lorenz Knauer (at left) and his crew have put together a nearly two-hour documentary about Ms Goodall that slips around the globe nearly as fast and often as the lady herself does it (she tells us at one point that she is rarely anywhere longer than three days at a time -- and this at age 77!). After a brief bit of early history, we learn of how she came to undertake, some fifty years ago, her pioneering study of wild chimpanzee behavior (below), and why her mentor Louis Leakey felt that a woman -- and a non-university-educated woman, at that -- would be best for this job.

The film begins as Goodall tells a very funny anecdote about Gorillas Get Me Pissed (oops, I got that title wrong) but in such a classy, gracious manner that you'll immediately be taken with the woman. And she holds you in this light, caring embrace throughout the film. We learn of her first and second marriages ("I chose two jealous men," she says) and the offspring of the first, nicknamed "Grubb," whom we eventually meet, along with his own offspring.

The scenes with the chimps, both the old and recent ones, are spectacular indeed, and the cinematography (above, by Richard Ladkani) and sound design are as good as anything we get from Hollywood blockbusters. The movie comes into its own after Ms Goodall goes to a particular seminar on chimps only to learn that in habitat after habitat, the animals are dying or being slaughtered. Overnight this seems to activate her "Activist" button, and since that time she has campaigned around the globe not only for safer animal habitats, but for the betterment of our planet and an end to its current destruction.

Of particular note is her work on American Indian reservations and her Root & Shoots program. We go from a fabulous and hidden "hippo pool" in Africa to the melting ice of Greenland; we hear celebs like Angelina Jolie and Pierce Brosnan talk about this untiring activist and her work. Best of all, we see this work in action and what it means. It will be almost impossible, I think, to come away from this film with anything less than supreme admiration for Ms Goodall and her work. The big question is, of course, how to wrest control of our planet from the individual and corporate wealth that currently controls and is destroying it -- so that Goodall's work can succeed and bear the kind of fruit that will count  Suggestions, anyone?

Jane's Journey, from First Run Features, opens this Friday, September 16, in New York City at the IFC Center, and on September 23 in Los Angeles at the Laemmle Monica 4.

All photos are from the film itself, except that of director Knauer, 
which comes courtesy of exposay.com