Showing posts with label don't-miss movies. Show all posts
Showing posts with label don't-miss movies. Show all posts

Sunday, December 31, 2017

2017's Best-of-the-Year List -- with RAT FILM and THEIR FINEST on top of a very large heap


There are literally so many movies this year vying for a place at the top that I finally had to choose both a documentary (Rat Film) and a narrative (Their Finest). Both seem to me so special in so many ways that, since I first viewed them months ago, they have remained prominently on my mind, in the first case, or with second, simply risen to the top.

I've seen Their Finest twice now. The first time I thought it was very good, but since that second viewing, it has grown ever higher in my estimation. One thing I left out of my original review is the way in which this film posits the difference between life and movies. How Their Finest brings that explanation to bear upon its story is simply extraordinary. The way it puts us in touch with what movies can accomplish is quite wonderful, too. The only other film this year that manages this -- in a very different manner -- is The Shape of Water, my runner-up for best narrative movie.

Rat Film -- in both its style and content, its concept and execution -- is so remarkable that it simply takes its place as a kind of instant classic. All about Baltimore, rats and racism, this movie deserves to be seen by as many viewers as possible.

The complete "best list" (including the two films above) is listed below in the order in which each movie opened throughout the year.

Click on any of the title links in order to access TrustMovies' complete review of the film in question. (Or simply to discover which film the title even refers to: Some of these movies are small enough -- or provocative enough and thus, of course, necessary to silence -- to have gotten past far too many mainstream viewers and reviewers, too.)

Fifteen of these 46 films are documentaries; it was a very good year for this format. One of the narrative features  -- The Hippopotamus (below) -- only saw one-night-only-in-selected-cities theatrical release before hitting DVD/Blu-ray. Another -- Hypernormalisation (above) -- so far as I know, opened only at the Cinefamily in L.A., a venue that has now closed down, thanks to the ongoing sexual abuse scandals sweeping the country.

I have not seen nearly all the movies that became available theatrically, via DVD or streaming over the past year. Nor has any critic. So simply take this list as a kind of recommendation of movies, particularly those that are smaller and less known, that you ought to at least consider viewing.

Enjoy -- and Happy New Year!


THE BEST OF 2017

PARIS 05:59 THEO & HUGO

I AM NOT YOUR NEGRO

TONI ERDMANN (from 2016 but opened here in Florida in 2017)

KEDI

THE SETTLERS and BEN-GURION EPILOGUE

HYPERNORMALISATION

AMERICAN ANARCHIST

A QUIET PASSION

GRADUATION

HEAL THE LIVING

THEIR FINEST

THE LOST CITY OF Z

HAROLD AND LILLIAN: A HOLLYWOOD LOVE STORY

LIKE CRAZY

CHUCK

ONE WEEK AND A DAY

NIGHT SCHOOL


DAWSON CITY: FROZEN TIME

BEATRIZ AT DINNER

THE JOURNEY

OKJA

LOST IN PARIS


KILLING GROUND

ESCAPES

THE HIPPOPOTAMUS

COLUMBUS


THE SUMMER OF ALL MY PARENTS

THE TEACHER

SPETTACOLO

RAT FILM

CHURCHILL


BENDING THE ARC

FACES PLACES

BETTER WATCH OUT

THE FLORIDA PROJECT


WONDERSTRUCK

PRINCESS CYD

THE SQUARE

BITCH

QUEST

NO GODS, NO MASTERS (a French TV doc, but only available in the US now on DVD)

MUDBOUND

THREE BILLBOARDS OUTSIDE EBBING, MISSOURI

CALL ME BY YOUR NAME

THE SHAPE OF WATER

DOWNSIZING

Tuesday, November 21, 2017

Blu-ray/DVDebut for Richard Schenkman's film of Jerome Bixby's THE MAN FROM EARTH


Can you make any kind of decent sci-fi film by using a bunch of people sitting around a single interior location and simply talking their heads off?  The answer, if you haven't already guessed, is Oh, my god, yes! If the film, that is, turns out to be something entitled Jerome Bixby's THE MAN FROM EARTH. Mr. Bixby, who died in 1998 and of whom TrustMovies had not formerly heard, evidently wrote some classic episodes from TV series such as the original Star Trek and Twilight Zone, as well as some not-so-classic endeavors such as the 69-minute It! The Terror From Beyond Space.

I suspect that it might be safe to say that the late Mr. Bixby, shown at left, had poured just about every bit of his ideas and talent and caring about the world and the people in it into his unusual screenplay for The Man From Earth.

Fortunately, instead of coming up with something far too crammed and unwieldy, the man has taken a single idea, run with it to completion and given us one of, if not the most riveting 87-minute "idea fests" in move history.

The film's director, Richard Schenkman (The Pompatus of Love and Mischief Night), shown at right, has done a more-than-serviceable job of bringing this talk to fine life and getting completely believable performances from his troupe of actors, all of whom work together like a super-pro ensemble.

The tale takes place in an out-of-the-way but nicely appointed cabin in a dry and dusty region of California, where a "good-bye party" has been organized for a popular university professor (the tall, dark and mysterious David Lee Smith, below) who is leaving his prized post for reasons that none of his friends can understand.

As we learn that reason -- a whopper indeed -- the movie unfolds and we are knee-deep in everything from physics, finance and religion to history, anthropology and philosophy.

And yes, science fiction. But this is the sort of sci-fi that rejects even one single special effect, and in which the "action sequences" are mostly comprised of one character's turning his or her head to address the adjacent person on the couch. (To be fair, a gun is pulled a couple of times during the course of things, but there's not a ounce of real fighting to be seen.)

I'm not giving away another iota of plot (even the information on the Blu-ray/DVD box offers too much of this) so that you can better appreciate the unfolding surprises. But I will compliment the movie's excellent cast, the best-known of which include a very fine Tony Todd (at right, above, (of Candyman), William Katt, (shown at left two photos below, with Alexis Thorpe), and the works-almost-constantly Richard Riehle, shown at right, below, who is a stand-out here as the psychiatrist who tries to "treat" our hero as best as he is able.

How this Bixby/Schenkman combo keep us glued to the screen via ideas and storytelling is simply a wonder, and even when, as occasionally happens, things appear to be going off the rails, they soon come right back on again. Among the many topics under discussion, religion gets much of the blowback, deservedly so, via its would-be champion (played with equal parts caring and anger by Ellen Crawford, above, left).

Given this constant flow of ideas, the movie also manages to grip us emotionally now and then, never more so than at its finale that features a prominent Mr. Riehle and the lovely romantic interest, played by Annika Peterson (below, left). We care enough about the characters here to feel for them, but it is primarily those brain-busting ideas on view that hold us to the screen.

The Man from Earth was actually filmed an entire decade previous but never seems to have been released theatrically. Had it been, it would have earned a place on my 2007 best-of-year list. (In any year, however, this one's a must-see.) The movie was also shot digitally but prior to the increasing use of hi-definition video; consequently the image quality proves only so-so at best -- even on the Blu-ray disc, which makes the upgrade from DVD seem more than a bit unnecessary. In any case, it is the content rather than the visuals that will keep you on your toes.

Released to home video via MVDvisual and with a raft of Bonus Features included, this ten-year anniversary issue of The Man From Earth hits the street today, Tuesday, November 21 -- for purchase or rental. Don't miss it.