NOBODY ELSE BUT YOU: From France, via FRF, comes Gérald Hustache-Mathieu's honey of a funny, sweet murder mystery

What a delightful mash-up of genres is NOBODY ELSE BUT YOU (original title: Poupoupidou, and if that reminds you of a certain Miss Monroe and a song she sang in Some Like It Hot, it's quite intentional). Combining a murder mystery (the film opens with someone finding the dead body of a gorgeous young woman), life in a small provincial town (Mouthe, said to be the coldest place in France), politics and power, psychology and the vicissitudes of book publishing, neo-noir and Marilyn Monroe, this nifty, juicy and truly unusual entertainment from writer/director Gérald Hustache-Mathieu takes the Monroe legend and turns it into something original that far outdoes the rather standard but perfectly enjoyable My Week With Marilyn that debuted to much hoo-hah (but not much box-office) last year. This movie won't be raking in the cash, either (it's subtitled -- and bizarre) but for film buffs who revel in something different done well, it's a must-see. And don't worry: Odd as it is, the film will prove perfectly accessible to any intelligent audience.

M. Hustache-Mathieu, shown at right, with some writing help from Juliette Sales, has crafted a tale of a successful mystery writer, down on his luck, ability and income, who, while driving through a small town gets ensnared into the life (recently ended) of a local TV weather girl. This late young lady, born Martine Langevin but rechristened Candice Lecoeur, either thought she was the reincarnation of Marilyn, or simply has a heavy-duty Monroe complex. Either way, she has (er, had) become the very model of her heroine, a look-alike, act-alike, sing-alike replica of the va-va-voom actress in all her glory, right down to the calendar poses (see poster, top, and still, below) and the diva-cum-little-girl attitude she couldn't help but flaunt.

As played by the marvelous French actress Sophie Quinton, who, each time we see her -- Who Killed Bambi?, Angel of Mine, and the upcoming One Night (formerly titled 38 Witnesses) -- appears more beautiful, versatile and talented, this strange, sweet, sad young woman is something else. No slam on Michelle Williams, who I thought did a lovely job as Marilyn, Ms Quinton's version is bolder, stronger and richer -- for she is required to play two roles: her own and someone else's, while making the two work together. She handles the job with remarkable ease and flair. All her scenes are flashbacks, of course, and yet taken together they -- and she -- fill out her role and character beautifully.

The rest of the large cast, down to the bit players are fine and fun but there are only two other major roles: The writer -- played by a fellow I've seen a few times but until now has never stood out -- Jean-Paul Rouve (above, left, with Quinton's image), and the very funny and charming "Brigadier" Leloup who is, I gather, something like an assistant in the police department. Leloup, a wonderfully complete and unique character is played by Guillaume Goiux (shown on the bottom bench, below), a very good actor whom I've seen only a few times in minor roles. He certainly comes into his own here: He's funny, sweet, sexy and dear, with his own full-frontal scene that he fills out as well as he does all else.

This film, in fact, has a couple of full-frontal male nude scenes -- both done with surprise, charm and fun. Those three words pretty well describe the movie itself and what you'll get from it. You'll also get a plot stuffed with twists and turns, red herrings and lovely winter snow scenes. The denouement offers up its own little surprise: a sad and ironic one that will send you out of the theater with a smile -- and maybe just a hint of a tear. If only... Nice work, M. Hustache-Mathieu!

Comparisons have been made of this film to those of the Coen Brothers and David Lynch. I realize that this may be good a marketing ploy, but really, there is almost no link to legitimately be made to those fine filmmakers -- both of whom have their own styles and idiosyncrasies. But so has this newer kid on the block. Just because a movie is different or because it combines death and laughs, let's not immediately feel the need to bring up the Coens or Lynch. Hustache-Mathieu has his own sensibility and a real film buff will appreciate this for what it is, rather is going for those odious comparisons.

From First Run Features, with a running time of 102 minutes, Nobody Else But You is a pleasant change from FRF's usual array of end-of-times documentaries. Not that we don't need them, FRF. Keep 'em coming, please, but also keep giving us the occasional "fun" film now and again. The movie opens this Friday, May 11, in New York City at the Cinema Village, and in Seattle at Landmark's Varsity Theater. In the weeks to come it will play another dozen locations across the country; click here to see all currently scheduled playdates, cities and theaters.

Fun time-waster to stream or rent: the Cox & Steinberg MISS NOBODY with Leslie Bibb

Are you cowed by simply dealing at all with Netflix streaming? Really: The amount of titles available are enough to cross your eyes. You start searching through the various categories and there are so many movies that sound at least at little enticing that, before you know it, your "Instant Play" queue is up to a couple of hundred titles. You quickly realize that you're not going to live long enough to watch all of them. So, instead of making your decision to watch one of them right there on the spot, you keep browsing and add a few more "interesting" looking films to your queue. Gheesh.

All of which brings us to today's "cover" -- MISS NOBODY, a 2010 Canadian film about climbing the corporate ladder in an unexpected manner, written by Doug Steinberg and directed by Tim Cox. We watched this one simply because we were growing crazed by all the options, and so decided to make an immediate decision. It wasn't a bad one. As fun, time-wasters go, the film is bright, well-cast and funny and charming enough to make up for its rather tired and a little old-fashioned plot, in which a pretty young woman named Sarah Jane (Leslie Bibb, above, and below, left) is passed over and over for any job promotion, until...

This lovely lass, who ordinarily would not hurt a fly, discovers she has a talent for aiding and abetting accidental deaths, and one by one various impediments to success find themselves... gone. Probably the most important bit of information that makes all of this quite acceptable in a rom-com killing tale is that Sarah Jane works for -- wait for it -- a sleazy pharmaceutical company whose other employees are, trust me, no loss to the planet when they leave it.

These include her "hottie" boss Brandon Routh, the snidely efficient Vivica A. Fox (above), a supremely officious and funny Patrick Fischler (below) and various other oddly assorted victims. The relatively inventive ways in which these folk meet their maker are fun (if not particularly original), and the romance that develops between Sarah Jane and a local cop (Adam Goldberg, center, two photos above) who rents a room in the home of her and her mom (Kathy Baker, asleep, at right, two photos above) is handled with some fun and flair, as is the relationship with her sort-of BFF Charmaine, played by Missy Pyle (shown at bottom).

No great shakes (but certainly good shakes), the movie rolls along nicely with its technical credits -- from the widescreen photography to sound, sets and lighting -- proficient and professional. In all, a painless way to spend 90 minutes.  And Miss Bibb, as the semi-clueless killer, is quite adorable.

Miss Nobody debuts via DVD this Tuesday, Sept. 27, from Inception Media Group, and will be available for sale, rental or, as I mentioned earlier, you can try streaming it.