While TrustMovies' daughter and grandkids were visiting, daughter -- who is a big martial arts enthusiast and practitioner (as is our son-in-law and their children) -- insisted we watch a movie entitled BIRTH OF THE DRAGON, which all of them had already seen but did not mind viewing again. We did -- and were more than just pleasantly surprised. This is one of those films that got a terrible critical response but that audiences enjoyed more than three times that of the critics. More important, it offers a view of that martial arts idol/icon, Bruce Lee, that knocks him down a peg or two while making clear what a wonder he was, even if, concerning his martial arts philosophy/spirit, this guy had some major learning still to do.
Set in San Francisco back in the 1960s, the movie -- directed by George Nolfi (shown, left) and based on an article, Bruce Lee's Toughest Fight, written by Michael Dorgan, which was then adapted by screenwriters Steven J. Rivele and Christopher Wilkinson -- proves a model of this kind of film-making: smart, fast-moving and able to beautifully juggle its several themes and plot-lines so that we easily follow them while coming to also care about its several protagonists.
I suspect that some, perhaps many, of Bruce Lee's fans were angry at the depiction of their hero shown here, for Mr. Lee in his younger days, while clearly a martial arts force to contend with, might also have been just too cocky and smart-assed for his own good. Certainly as played (and very well, too) by the fast, skilled and sexy Philip Ng (below), the character seems more than capable of being the champion he so clearly was, while needing a lot of help in the humility/attitude department.
Playing opposite Mr. Ng with equal skill and charisma is the wonderful actor Yu Xia, below, who takes the role of kung-fu master Wong Jack Man -- the fellow Mr Lee must cajole into fighting him -- and fills it so completely with his remarkable combination of strength and modesty that you're likely to become a convert before the movie ends.
This love story, in other hands, might come off as standard and obvious, but thanks to the work of the writers and director and especially to Magnussen, who unveils things we've not seen previously in this actor, the character seems remarkably sweet, naive and caring, alternately pig-headed and kind. It's a lovely performance, and so we root for this young couple much more that we do, say, for other more obvious lovers (the pair in the recent and utterly manipulative movie, The Mountain Between Us, for instance).
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