Showing posts with label Maria Sole Tognazzi. Show all posts
Showing posts with label Maria Sole Tognazzi. Show all posts

Sunday, December 4, 2016

ME, MYSELF & HER: Lesbian rom-com-dramedy fluff from Italy's Maria Sole Tognazzi


TrustMovies moves up and down re the work of Italian filmmaker Maria Sole Tognazzi (he's quite high on A Five-Star Life, somewhat lower on The Man Who Loves, and maybe in the middle regarding her newest movie, ME, MYSELF & HER (a much simpler and more intelligently worded Io e lei, in the original Italian). Though there have been a number of Italian movies with full-out gay themes, this is said to be the first relatively mainstream Italian movie to tackle a lesbian relationship.

Ms Tognazzi, shown at right, casts her movies expertly, with some of Italy's finest actors in leading roles. Here she uses that always wonderful, multi-Donatello-winning Margherita Buy in one role and a quite beautiful and talented actress (from The Great Beauty), Sabrina Ferilli, in the other. The two play off each other with skill, precision and great believability, as they take us into the shoals of a five-year-old relationship that appears to be badly fraying.

As is her wont, Ms Tognazzi deals with the upscale bourgeoisie -- this time, an architect named Federica (Ms Buy, above) and her lover, an ex-actress and now-restaurateur, Marina (Ms Ferilli, below), who appear to have a relatively placid relationship -- except that Federica wants her sexual preference to remain private, while Marina could give a good god-damn about all that. When the opportunity arises for Marina to act again in an upcoming movie, the pair's relationship is put to the test.

The two actresses, as well as the rest of the supporting cast, are all first-rate, but the scenario itself seems second-hand and lacking in much depth. Everything hinges upon the relationship here, and what we see of it, despite the good work of the actresses involved, seems awfully, well, typical. There's an indiscretion, followed by anger, separation, sorrow and resolution. And all of it is just a little too easy.

All this surprises me a bit because the film was co-written by the writer and director, Ivan Cotroneo, of one my my favorite Italian films of the past decade, Kryptonite! (click and scroll down to view particulars). Still, we have the beauty and talent of Buy and Ferilli, and some gorgeous locations in which to bask (though nothing like those in A Five-Star Life), and a nice serving of Italian rom-com fluff. So the time is spent painlessly and pleasantly.

Just don't expect much depth or surprise -- which is too bad. If indeed this is the first lesbian rom-com-drama from Italy, the gals deserve a little more interesting scenario than we get here. (There is, however, a terrific looking cat, above, to help bide our time.) Even Federica's relationships with her son, ex-husband and new/old man-in-her-life (Fausto Maria Sciarappa, below) are shown so lightly that they seem to skip along a surface of what must have more interesting stuff roiling beneath it.

Ditto the relationship between Marina and her business associate, which looks as if it could have been given a scene or two all to itself. But if you're looking for something pretty and classy and nicely acted by some of Italy's finest, Me, Myself & Her should adequately fill the bill.

From Wolfe Video, In Italian with English subtitles, and running 102 minutes, the movie goes straight to VOD and DVD here in the USA this Tuesday, December 6 -- for purchase and/or rental.

Tuesday, July 15, 2014

Everything you could ask for in a film: Margherita Buy in Maria Sole Tognazzi's A FIVE-STAR LIFE


When I first saw this little gem of a movie -- last year at the FSLC's Open Roads -- I found it a very enjoyable crowd-pleaser. (My review from 2013 is here.) Its original Italian title is Viaggio sola, which translates, I believe to I Travel Alone -- a perfectly fine moniker for this unusual film that walks a near-perfect line between main-stream entertainment and movie art. That title has now been changed to A FIVE-STAR LIFE, and while, initially, I felt the change unnecessary, seeing the film a second time makes me realize how smart a move this is.

The director/co-writer, Maria Sole Tognazzi (shown below), has here fashioned a tale of a woman, Irene -- played by the fine Italian actress, Margherita Buy (above), who won the Donatello award (think of it as the Italian "Oscar") for her excellent work -- whose job it is to play the "mystery guest" at five-star hotels around the world, staying in each as would normal guest, but rating that hotel for everything from its staff to its food to its cleanliness and more.

In addition to the sheer pleasure of seeing these luminous hotels (and almost feeling we're experiencing them ourselves), we get to know quite intimately Irene herself, and her relationships with family and one particular friend, played by the fine actor Steffano Accorsi (shown below), and even with some of the hotel guests whom she meets in her travels. There's one pair of newlyweds whom Irene takes under her wing when the hotel itself drops the ball, another very attractive older man with an eye for our gal,

and finally a wonderfully in-your-face anthropologist and lecturer played by Lesley Manville (below, left), the connection with whom jolts Irene into reassessing her life and relationships and what she might really be seeking. All of this is woven quite beautifully and naturally into the screenplay. There is no undue exposition; we learn as we move along.

So keenly aware are Tognazzi and her co-writers, the wonderful Ivan Cotroneo, and Francesca Marciano, of the little things that make up character, that virtually every character in the film, small or large, rings truthful and fascinating, which means that we never for an instant lose interest in the movie and its rather large cast.

In that cast are Irene's family: a sister, brother-in-law (lovely performances from Fabrizia Sacchi and GianMarcoTognazzi, shown respectively, left and right, above) and two nieces (shown below). They have their own problems, too, which we come to understand, appreciate and even enjoy.

Despite the Italian title, we are traveling with Irene every step of the journey, seeing things through her eyes and grappling with them via her mind and heart. It's rare for a movie to place us this close to its heroine, and what a joy it is to be there. Ms Buy, always a wonder to watch, may have outdone herself here. If you've not seen her work previously, this is a fine place to start.

A Five-Star Life -- from Music Box Films and running a sleek 85 minutes -- is one of the best films to open theatrically so far this year. It knows what it wants to accomplish and does exactly that -- in one of those rare cases of "reach" and "grasp" coordinating perfectly.

In New York City, look for the film at The Paris Theater, and in the weeks to come will open in cities across the country. Click here, then click on THEATERS to view all currently scheduled playdates, cities & theaters.