I've often thought that no one else in the world holds up a mirror to the negative aspects of the Israeli character more than do Israeli filmmakers themselves. Granted these are generally left-leaning artists whose subjects more often than not are the self-satisfied, successful and quite well-off. In the new Israeli film HAPPY TIMES, writer/ director Michael Mayer (Out in the Dark), along with co-writer Guy Ayal, applies those adjectives to as entitled and nasty a group of Israeli emigres as you could find, living in Los Angeles and invited to a dinner party at a Beverly Hills mansion, the hosts of which have clearly obtained their fortune in criminal fashion. It will not take long for you to realize that, whatever happens to these creeps and how really awful this is, you're not going to mind one whit.Mr. Mayer (shown at left) starts things off somewhat slowly but nastily/ naughtily. Soon enough things heat up and the bizarre bloodletting begins. This is a comedy, albeit one about hypocrites and sleazebags (some obvious, others not so), and as our cast gets "offed," one after another in ways increasingly intricate and sometimes surprising, your laughter won't curdle quite as much as you might expect. (Don't worry -- bit of a spoiler ahead -- if you're anything like TrustMovies, the one character you'll be rooting for the most manages to avoid the crunch.)
The dinner party is made up of the host family (fortunately the kid, below, is soon carted off elsewhere), its relatives and in-laws, plus a friend or two. It takes awhile to decipher just who is who and what this might mean, but stick with it (if you're a fan of this kind of thing) and you'll be rewarded.
Most of the cast members seem new to my purview, but I did immediately recognize the gorgeous Stéfi Celma (below, right) of the delightful Netflix series Call My Agent), as well as Michael Aloni (of Out in the Dark). However, the entire cast seems well-chosen and each delivers the necessary and not-so-nice performance required.
Once the extent of the sleaze and hypocrisy of these folk have been established (for a few of the characters, this takes longer than for others), their comeuppance soon comes up. At 92 minutes, the movie doesn't outstay its "charm," although, according to the IMDB, the original length was 102 minutes, so perhaps the film was shortened a bit for American distribution.
Whatever: If you're the type of audience who enjoys black humor and creative killings, this is probably a movie for you, especially since the demises grow more clever and inventive, right up to and including the final double whammy.
From Artsploitation Films and in English and Hebrew, with English subtitles as necessary, the movie hit streaming venues earlier this month and is available to view now. Click here for more information and here for streaming choices.
Showing posts with label Michael Mayer. Show all posts
Showing posts with label Michael Mayer. Show all posts
Wednesday, February 24, 2021
Tuesday, November 5, 2013
DVDebut today! From Israel, Michael Mayer's OUT IN THE DARK is maybe the best gay melodrama of the millennium
The film is also well-written enough to carry you along, though the screen-play is indeed the weak link. Situationally, screenwriter Mayer and his co-writer Yael Shafrir have packed a little too much into the life of one of their protagonists, the Palestinian, Nimr Mashrawi (played by the excellent first-time screen actor Nicholas Jacob, below). Being gay, Muslim and living in the occupied Arab section is enough to get one beaten and even killed, as we see happen to one of Nimr's friends. Having as well a big brother involved in gun-running and anti-Israeli terrorism makes the young man's life a living hell, as he is soon wrenched between the Israeli security forces and the Arab world's and his own family's crazy fanaticism.
While this makes for very good melodrama leading to a thrilling, pulsating finish, you can't help but realize that the set-up is just a little too neat. Still, so fine are the performances (by all), along with the pacing and technical aspects, that you'll not complain.
The only bit of safety and security in Nimr's life comes from the handsome Israeli fellow, a young lawyer named Roy, whom Nimr meets at a gay bar during one of his infrequent and illegal trips across the border into Israel. Played by a more seasoned actor, Michael Aloni (above and below)...
...who resembles a much-better-looking Anthony Weiner, this character has his own problems -- a mother (Cheli Goldenberg, below, right) who'd prefer he pick an Israeli dick to play around with, and a criminal bigwig client who has promised him a favor (another too-slick bit of plotting) -- but he soon find himself in thrall to his sweet Palestinian.
One of the strengths of the movie is that it allows us to view its protago-nists in various areas of their life: Roy at work and with his family, Nimr with his family and in his role as a budding psychology student working with and for Palestinian social services. From the scene we see in which Nimr helps resolve -- and very humanely -- a situation concerning a men-tally ill mom and her family, it is clear that he'll make a fine counselor.
All this helps round and broaden a film that could easily stick only to its love story and chase/thriller aspects and still be worth seeing. Mostly, though, as it encompasses its theme of justice for Arab gays -- which has rarely been presented more powerfully -- it will leave you ferociously angry at the waste and horror that fanatical religion and backward culture can wreak upon innocents trying to live and love in this world of ours.
Out in the Dark -- from Breaking Glass Pictures and running a near-perfectly-timed 96 minutes -- hits American streets today on DVD, and soon or eventually, I hope, on various streaming formats.
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