Showing posts with label Polish history. Show all posts
Showing posts with label Polish history. Show all posts

Friday, March 31, 2017

More Holocaust-lite, as Niki Caro's THE ZOOKEEPER'S WIFE opens wide theatrically


Both like and unlike Fanny's Journey, another Holocaust-lite movie that recently opened, THE ZOOKEEPER'S WIFE resembles that French young-adult film in that its view of World War II and the Nazi extermination of the Jews is rendered with much less violence and horror than in many other Holocaust movies you're likely to have seen.

On the other hand, this big-budget U.S./UK/Czech Republic production is not the "family" movie some audiences may expect of this tale of the wife of the zookeeper in Warsaw, Poland, who manages, against all odds and expectations, to save quite a number of Jews during the war -- even as she fails to protect many of the zoo animals that she and her husband so love and nurture.

Children and animal lovers alike will recoil in horror as some of these beasts are slaughtered, so be warned. With a screenplay by Angela Workman, adapted from the best-selling book of the same name by Diane Ackerman, and directed by Niki Caro (shown at right), the movie does not bypass the Nazi extermination (we see an elderly mother and her daughter both executed at close range), but it keeps this to a minimum -- which actually adheres rather closely to the facts, since we told during the film's end credits that, of the hundred of people saved who passed through this zoo, only those two women were caught and killed.

Ms Caro, a New Zealander with an up-and-down record, so far as directing and box-office are concerned -- Whale Rider is probably her most critically lauded film and McFarland, USA her most successful at the U.S. box-office -- remains a favorite of TrustMovies, if only for her majestic (and majestically crazy) film, A Heavenly Vintage -- which, if you have not seen, you simply must.

I would guess that The Zookeeper's Wife might be her biggest-budget effort so far, and the film's look and production values are stellar. So's her star, Jessica Chastain (above), who's always good and here acquits herself here with the usual talent and beauty this actress possesses in spades. (Her Eastern-European-inflected accent's pretty good, as well.)

Her zoo-keeping hubby is played by Belgian actor Johan Heldenbergh (above, of the Oscar-nominated Broken Circle Breakdown), while her antagonist is portrayed with lip-smacking relish by the talented German actor, Daniel Brühl (below).

The screenplay adheres closely to the paint-by-numbers, this-happened-and-then-that-happened mode, yet the story told grabs us from the outset -- as we meet the main characters and the zoo animals -- and then carries us along through plenty of thrills, suspense and Hollywood movie moments that are obvious and predictable.

Yet along the way, Ms Caro, provides some wonderful stuff -- the most memorable of which is a scene in which the Polish Jews are finally to be deported to the concentration camps. Here, a group of children, so far saved from obliteration, are now to be placed in the rail cars that will take them to their death. Unknowing of this, they look to the two men who have provided their safety and caring and outstretch their arms with loving, smiling faces to be lifted up onto the train. This is a scene that I shall never forget.

While I wish the film were better, I am still grateful that it has reached the screen, as its tale is one worth telling, especially amidst our current times with Holocaust denial on the rise internationally, and here in the USA, the Trump administration telling ever bigger and bolder lies.

So see the movie, take the kids (the older ones, at least), and then talk about the whole experience afterward. From Focus Features and running a lengthy but full-of-incident 124 minutes, The Zookeeper's Wife opened nationwide this week. Click here to find the theater nearest you.

Sunday, January 3, 2016

Sunday Corner with Lee Liberman highlights JACK STRONG: a Cold War hero from Poland


The history of Polish army hero Colonel Ryszard (Richard) Kuklinski is a separate endeavor from the tension-filled thriller JACK STRONG now streaming on Netflix and starring Marcin Dorocinski. Polish writer/director Wladyslaw Paikowski (Aftermath) chose to deliver on suspense rather than biography or history. 

That's not bad, as the suspense is as entertaining as Hitchcock and there's plenty back story elsewhere to fill in the blanks. While Polish audiences know the history and context of Jack Strong, for us the film does not impress upon us enough how much this man mattered to American and world stability. However, a vivid thriller may be just the right medium to help along the process of righting Kuklinski's still-abused reputation in his home country by plunging Polish viewers into the drama of what he did for them and the price he paid. (The Kuklinski family, as seen in the film, is shown below.)

Reading subtitles in English while watching a taut plot unfold somewhat degrades comprehension -- hence some background. Post WWII, the Soviets have their thumb on Poland and other members of the Cold War bloc; an arms race is beginning with the West.

Turn up the ominous music. The tale opens with the execution of Polish spy Oleg Penskovsky who fed information to the U.S in the 1960's and met an unceremonious end heaved by thugs into the furnace of a steel mill.

Change scene to a darkened interrogation room where a now older Kuklinski is telling his story, we know not to whom or to what end. From here his life as a spy unfolds in flashbacks. Like his father, Kuklinski was a proud Polish military lifer. His prodigious output led to his swift rise in the ranks, praise from Soviet and Polish superiors, and involvement in top secret military planning. It is safe to assume Kuklinski resented Poland's subjugation by the Soviets. But the escalation of Soviet Cold War activity that could put Poland at the center of a future conflict, began to worry him. One spectacular project he was assigned in 1968 was to develop a set of complex military exercises to be staged in East Germany to distract attention from Soviet skirmishes with China.

His output (above, his presentation to Soviet generals) coincidentally replicated secret Soviet plans already formulated for war against NATO. The Soviets thought he was a genius, but Kuklinski now knew that Poland was the intended battering ram against the West. Poland was to be the Soviet invasion route, and Soviet aggression could turn his nation into a nuclear wasteland when the West hit back.

Kuklinski's tipping point coincided with world-wide student and worker protests against the Vietnam war and in favor of civil and worker rights. In 1970 Gdansk, 3000 Solidarity shipyard workers were fired upon by virtually the entire Polish army. Kuklinski's comrade admitted he cried but he fired -- they all fired on their own Polish workers. "We aren't Poles now, our souls have ugly Soviet faces." Around then, Kuklinski contacted the American Embassy in Bonn, offering to pass Soviet planning documents to the West.

Taking no money, he left messages for a US embassy diplomat hidden in a rock wall and progressed to texting on a CIA prototype of a cell device, reducing the danger of cruder contact methods. Still, from 1972 to 1981 his daily life was furtive and fraught until the KGB finally closed in on him after knowing for years they had a leak in their top ranks.

Many Russian and Polish players in Kuklinski's world are reminiscent of the jowly, Trumpish, table-pounding blowhards from the Soviet era, although for relief, American CIA handler, David Forden, is played by the always competent and attractive Patrick Wilson (below, left). For those of us who were alive during the Cold War, this film is a sharp memory jolt.

Kulkinski's home life was as stressful as work -- family conflict resulted from his silence and his mental and physical absence. His wife (played by Maja Ostaszewska (see her in second picture from top and below) suspected him of having an affair and one rebellious son was furious with his father's presumed Communist loyalties.

The years post-1981 are only touched on. For the whole story, a more traditional bio-pic is warranted for this hero. We know from the record that even now some Poles think Kuklinski was a traitor not a patriot. He was sentenced to death in absentia by old regime carry-overs -- understandable -- but even freely-elected labor leader Lech Walesa refused a full pardon. It took President Bill Clinton to make Kuklinski's pardon a condition of Poland's admission to NATO. The bio-pic maker of Kuklinski's life-in-full will have plenty of subject matter on the thankless plight of a moral man who becomes a spy (the ID card of the real Kuklinski, below).

Many accounts of Rhszard Kuklinski's life exist on line. Some describe advocacy for him by several presidents including President Jimmy Carter and his National Security Advisor, Zbignew Brzezinski (shown below, right, together with the man who plays him, Krzysztof Pieczynski). It was Brzezinski who coined the phrase 'the first Polish officer in NATO' which became a rallying cry for Kuklinski's exoneration at home. We owe Klukinski as much admiration here as any of our own war heroes, yet he's virtually unknown.

Note One: Zbigniew Brzezinski, in his late 80's today, is one figure still active in foreign policy today who factored greatly in the Jack Strong case. He is a professor at John's Hopkins, a scholar at the Center for Strategy and International Studies, on various boards and councils, and a regular commentator on news programs, including 'Morning Joe' on MSNBC anchored by his daughter Mika Brzezinski.

Note Two: Click here for article from a Wesleyan University magazine about CIA Agent David Forden (Wesleyan '52) and his adventure with Kuklinski. It amplifies the movie plot and answers questions on a number of points.
The above post was written by our 
monthly correspondent, Lee Liberman.