Showing posts with label famous politicians. Show all posts
Showing posts with label famous politicians. Show all posts

Saturday, July 5, 2014

For your July 4th weekend, Lutz Hachmeister's oddball THE REAL AMERICAN: JOE McCARTHY


The very title of this unusual -- in ways both good and bad -- documentary pulls us up short. What does THE REAL AMERICAN: JOE McCARTHY actually signify? That this guy could stand in for the "real" American, and if so, what the hell does that mean? That we're all a bunch of lying, cold-hearted opportunists willing to toss just about anyone (especially Democrats) in front of the bus? Well, maybe. That's pretty cynical. Well, yes, but since the film was directed, co-written and co-produced by a German fellow by the name of Lutz Hachmeister, who earlier gave us The Goebbels Experiment and the restaurant doc Three Stars, a more cynical look at America and Americans just might be in the cards.

Herr Hachmeister, pictured at right, has certainly done his homework concerning our Joe's history and actions, and has even gone a bit further behind of the scenes of our government and military at that time to bring to the fore some information buried more deeply than other films have shown us (including the documentary Point of Order, and a number of narrative movies in which old Joe played a supporting part). While his  "foreigner" status may have goosed Hachmeister to look at things differently, it may also have prevented him from seeing certain things as clearly as he might. Take Ann Coulter's place in all this, for instance. The director interviews Ms Coulter -- whom I consider one of the stupider mouthpieces of the frothing right-wing -- and then uses part of that interview in the film. But does he actually understand who Coulter is and what her place in American society might be? We've heard her on radio occasionally, spouting nonsense and lies -- such as her tirades about Obamacare last fall -- and we've waited for somebody to speak up and deflate the woman's shit balloon. But of course, on these right-wing radio fests, no one ever does. (For the best rendition yet of Ms Coulter, you really must see Thea Gill's interpretation of her in Joe Dante's sublime Iraq War sequence from the Masters of Horror series, entitled Homecoming.)

So here Coulter is yet again, above, spouting off about how "everything you've heard about McCarthy you have to hit the delete button on" (her quote is even used on the back of the DVD box), as though that is what we're about to discover from this documentary. But, hey, we discover no such thing. If anything, we learn even more about what an asshole McCarthy really was, how he consistently lied and pretended and led everyone from other elected officials to the public into thinking that our government was filled with Communist spies, in the process blithely destroying careers and lives along the way.

It is how our filmmaker shows us all this that gives me the most trouble. The Real American: Joe McCarthy is one of those documentaries that uses re-creations -- shown above (that's Joe as a young man) and below, with the would-be Roy Cohn at his side -- to bring to life its subject's story. And while these are well-acted enough, they stand out like the proverbial sore thumb -- in color, with all the 1950 trimmings of sets, clothes and so forth -- constantly calling attention to themselves in the worst way. Since Hachmeister's digging presents some fine archival footage and decent interviews with reporters, old friends of McCarthy, politicians and the like, why didn't he just stick with these rather than doing the "gussy-up" thing with the recreations?

If one is going to do this, do it cleverly and meaningfully like Sarah Polley manages in her excellent doc  Stories We Tell (streamable now on Netflix: click for the link). Shown against the real life footage of McCarthy, his wife Jean, the late Mr. Cohn and others, the actors (above) pale in comparison with their real-life counterparts (below) and don't really look much like them, either.

What the movie does give us, interestingly and well, is the story of how our own government, the CIA, and others were growing ever more annoyed and upset at what Joe was doing and saying, and so finally had to step in to stop it. All this is by far the most interesting of the "new" material the movie has to offer.

The McCarthy era is one that no truly patriotic American (and by that I mean the My country right or wrong: When right, to be kept right; when wrong, to be set right variety) would want to repeat. The Bush administra-tion tried to scare us into more of this with its stupid Iraq war and constant terrorism fears (ooooh: today is an orange alert!). It didn't work (not for long, anyway) and shouldn't ever be allowed to work again. We shall see.

Meanwhile, you can see The Real American: Joe McCarthy -- from Corinth Releasing and running 100 minutes -- on DVD by clicking here. It's worth a look and a thought about how this could happen then -- and what to do to make certain it doesn't happen again.

Wednesday, January 30, 2013

Neil Barsky's KOCH: all about that other divisive mayor who ruled before Giuliani

The very first statement we get from former Mayor of New York City, Ed Koch -- one that leads off the new documentary about the man and his time -- is a quiet but funny humdinger. If there was ever any doubt that old "How'm I doin'?" considered the city as his personal fiefdom, this moment should lay it to rest. And yet the opening statement cuts two ways. TrustMovies would guess that probably all mayors feel somewhat this way about their city. Mr. Koch, as was (and is) his wont, simply gives it voice -- a habit the man has always had and that has gotten him into hot water as often as it has served him well. As one of the many people interviewed for this film points out, this guy had a really hard time editing himself.

All of which makes this new documentary (from first-time, full-length filmmaker Neil Barsky, shown at right) so interesting, so much fun, and so full of that peculiar combination of personalities, power, desires and events that makes big-city politics so nasty and fascinating.

From that opening statement, regarding Koch's sense of New York City whenever he flies back to it at night, Barsky moves to the vote taken on whether or not to re-name the Queensborough/59th Street Bridge after the former mayor. Listening to the remarks -- pro and con -- about Koch's record, according to these other politicians, is eye-opening to say the least.

The filmmaker moves relatively gracefully back in forth in time, as he shows us this mayor at work over the couple of decades during which he served and then reigned. This is good history, with all its accompanying high and low points, scandals, betrayals and mis-takes. (Listen to Koch on the "mistake" he made by closing Syden-ham Hospital, in which he manages to all but to pull the rug from under his apology. What? Koch make a mistake? Are you crazy?)

Along with the public history comes a certain amount of personal history, too -- though seldom out of the mouth of Mr. How'm I doin'? himself. Koch, a "confirmed bachelor," is quite sparing in the details of his personal life. The news media, ever alert for hint of scandal, has provided a certain amount of personal detail over the years, and Barsky addresses a good bit of this. Most of the gossip surrounds the "is he or isn't he?" aspect of Koch's sexuality, which the former mayor has always refused to address, even now, when he is long out of office and when being gay is hardly unusual in New York City and elsewhere.

So we visit again the nasty primary between Koch and Mario Cuomo (above, right), in which those rumors took printed form, and in which Mario's son-and-now-governor Andrew was said to have had a hand. Naughty! And so, very suddenly in that campaign Koch was seen everywhere, holding hands with former Miss America Bess Myerson (below, right). Those were the days! Still, it says something about the guy that he has managed to keep his private life private. Bill Clinton, I imagine, can only marvel.

One of the few scenes in the documentary that does capture a more private ex-Mayor is during a visit to his family, with Ed playing the "famous uncle." This proves a telling scene, in which some of his family members give it back to Koch just as good as he gives -- on the subject of opening a mosque in the area of 9/11's Ground Zero.

Ed is no dummy, and another scene in which he goes up against Senator William Proxmire in DC (in the hearings regarding giving a loan to New York City during its tough financial time) is very much worth seeing and remembering. He was a smart man and a good politician -- though supremely divisive. He is simply not cut out, as the movie well demonstrates, for being any kind of a conciliator. (His comment about upstate New Yorkers when he visited there, shown below, probably lost him his ill-advised attempt at becoming governor.)

Barsky's documentary is nicely balanced without ever being too simple or easy. Watching Koch here, you'll probably grow angry with him all over again and agree with his campaign manager as she quietly nails him him after one of his tirades. Third terms have proven difficult for many politicians, and Koch's was no exception. That was when all the scandal, long brewing, finally broke, and as one interviewee points out, his wheeling and dealing "was a way to get elected, but years later, you can still draw a straight line from that to all the corruption and the people involved."

Koch, neither the movie nor the man, is likely to convert anyone at this point in time, but for those (like me) who've long been on the fence about the guy, it will provide a lot to enjoy and consider -- even if, on balance, it slants maybe just a tad too much in the direction of hagiography.

From Zeitgeist Films and running a relatively swift 95 minutes, the documentary opens this Friday, February 1, in New York City (where else?) at our Angelika Film Center and Lincoln Plaza Cinema. Did I say "Where else?" Try Los Angeles on Friday, March 1, at Laemmle's new Royal, Town Center 5 and Playhouse 7, and in Santa Ana at the Regency South Coast Village. Evidently our old mayor was something of a nationwide figure, because the film will hit another dozen cities around the country in the months to come. Click here to see all currently scheduled playdates.

The photos above are from the film itself, except 
for that of Mr. Barksky, which is by Dave Kotinsky 
and comes courtesy of Getty Images NA.