Showing posts with label high school musicals. Show all posts
Showing posts with label high school musicals. Show all posts

Wednesday, December 11, 2019

Stream this year's Christmas hit: John McPhail's ANNA AND THE APOCALYPSE


Likely to become a holiday classic -- thanks to its delightful and original combination of high school musical, zombie pic and Christmas movie -- ANNA AND THE APOCALYPSE snuck into theaters in limited release at the end of last year (garnering some very nice reviews in the process) and is now available to stream via Amazon Prime. The movie's a winner, a keeper, and an all-round wonder as it unfurls its very charming, funny and bizarre "take" on high school, love, friendship, Christmas pageants and zombies. Really, this is the best zombie movie since Train to Busan and the best original musical in several years (for my money it beats the too-precious La La Land all to heck).

As directed with a remarkably intuitive sense of tone and tenor by John McPhail (at left) and co-written -- with not just exceptional "smarts" but also an appreciation of and love for the genres they send up and add to -- by Alan McDonald and the late Ryan McHenry (to whom the work is dedicated), this little film finds its footing so quickly and securely that I suspect film buffs will recall it fondly and lovingly when many other more trumpeted, high-budget movies will have long faded from memory.

The story is simple and initially rather sweet. As Anna and her loving dad drive along the highway discussing Anna's future (for which they each have a different plan), on the radio we hear, "The CDC has announced that what it initially thought to be a contagious--", at which point Anna switches the radio off, and we continue with high school and teenagers, the trauma of growing up, falling in love (of course with the wrong person), and putting on the yearly Christmas pageant. Talk about a pointed but relatively subtle manner in which to introduce the expectation of zombies -- and then having the chutzpah to simply leave them offscreen for quite some time!

By the time we do see them, Anna (Ella Hunt, above center) and her friends are so immersed in teenage narcissism and song (a lovely, funny one, too) that they don't even notice the undead cavorting in their slow, zombie fashion behind them. (These zombies adhere to the better, slower George Romero version, which allows for a lot more leeway, escape routes and fun.)

Anna's friends include her "bestie," John (a sweet Malcolm Cumming (above, center), who clearly loves Ella in more than a best-friend way, and student investigative journalist Steph (no-nonsense Sarah Swire, at left, below),

and especially the school bully, Nick (Ben Wiggins, below), who turns out to have a bit more on the ball than bullies in other films. Wiggins also gets a great song midway along that reinforces how cleverly Anna and the Apocalypse plays with the genre conventions of zombie movies, high-school rom-coms, Christmas movies and so much else.

The supporting cast is terrific, too, with Paul Kay, below, left, as the succulently sleazy school headmaster, and Mark Benton, below, right, the very picture of a kindly, loving, over-protective dad.

Who survives and who does not may surprise you, and this certainly adds to the film's thrills and sometimes to its sadness. (As one of the songs tells us, "There's no such thing as a Hollywood ending.") I can't remember when a zombie movie made me laugh and touched me in the way this one does, yet even the moving moments don't seem too sentimental. They're all delivered with a wit and a style that seduce. (Who'd imagine a Christmas candy cane as a prime zombie-killing tool?)

Marli Siu (above) makes a sweet secondary love interest for the school's nerdy-but-nice photographer, a funny, on-the-mark Christopher Leveaux (below, center left). The musical numbers range from very good to OK, with more of the former than the latter, and they are produced and executed so well that they seem utterly organic to the rest of the film. In a movie that mashes this many genres, that took some doing.

Oh, yes, there's gore, too. This is a zombie film, after all. But even the blood is handled with the same kind of smart tone and subtlety as all else here. Boy, what a special little movie this is!

Streaming now via Amazon Prime, and also available for rental or purchase on DVD and Blu-ray, Anna and the Apocalypse is simply too good to miss. It'll take its place with other fine, dark Christmas movies, for folk who need a respite from the current feel-good holiday twaddle filling our network TV, cable and streaming services.

Sunday, March 21, 2010

DVD of the week: Todd Graff's BANDSLAM

TrustMovies has long been in love with the work of Todd Graff (shown just below), starting close to 30 years ago, when the then-
actor appeared on Broadway opposite Liz Callaway in the terrific (if over-pro-
duced) little musical, Baby. Graff was delightful: funny, moving, real and immensely talented. His work as an actor in films has been somehow disap-
pointing: Always good, he's not been used particularly well.

Writing and directing have put him on the movie map, however. He did the screenplay for Angie (the sweet, tart film that starred Geena Davis and gave James Gandolfini a first burst of recognition) and the unnecessary American remake of the classic Dutch Vanishing. But, ah, as writer/director he's come up with two winners: the splendid Camp, a one-of-a-kind musical based in part on Graff's own experience at a camp for budding musical theater performers, and now another musical of sorts called BANDSLAM.

Debuting theatrically last year to very-good-to-mixed reviews, the movie is just out on DVD. If you didn't catch it earlier (few did), now's your chance. Bandslam tracks a put-upon high school student from Ohio (Gaelan Connell, shown above, center) and his mom (Lisa Kudrow) who move to New Jersey to begin life anew. There he falls in with a gorgeous blond senior (Alyson Michalka, above, right) and a quiet-but-pretty brunette (Vanessa Hudgens, above left: yes, of those High School Musicals), and before long a new band is taking shape.

Graff knows kids; he knows music, movies and theater (the best of all of which he puts to use here); and he's smart enough to give us more and better than the usual high-school, kid's-stuff crap. His script is full of wit and charm, even if some of his themes (death & identity, for instance) cannot be properly developed in the film's 99-minute running time. And the band he creates is wonderful: not simply the usual electric guitars, but piano, cello, and a fab brass section, too. (I hope kids will listen and hear what real music can sound like -- and discover why this band really is the best of show.)

His cast, principals to those in small roles, delivers brightly (Kudrow, shown above, is wonderful; I'd like to have seen more of her.) Graff manages, as well, to serve up an smart finale in which the band does its best, and life still interferes. But this writer/director knows that winning isn't, after all, everything -- besides which, these days, there is always more than one way to win.

Give Bandslam a shot; it's available now on DVD from your video source of choice.  As for the things-to-look-forward-to department, the IMDB tells us that Graff's next project might be directing a remake of one of the great Broadway musicals Damn Yankees -- with Jim Carrey and Jake Gyllenhaal possibly attached, plus Babaloo Mandel and Lowell Ganz in the writing department. 
We live in hope.