Showing posts with label independent films. Show all posts
Showing posts with label independent films. Show all posts

Monday, January 11, 2016

A cheap 'n tasty treat for film buffs hits the street tomorrow--INDIEPIX MIX 10: VOL. 2


Normally TrustMovies prefers to rent rather than buy, these times and our economic situation being what they are. But very occasionally something appears that maybe warrants a purchase. Such a thing -- ten things, actually -- is the new INDIEPIX MIX 10: VOLUME 2, which will go on sale tomorrow, January 12, and contains some fine little films from the vault of Indiepix, one of the more unusual purveyors of independent movies from around the world. This new boxed set -- retailing for a mere $75 -- offers up ten films from the distributor, several of which I've covered in detail over the past few years. Here's a quick run-down of the entire set.

BHOPALI documents the experience of second generation children affected by the Union Carbide gas disaster of 1984, the worst industrial disaster in history.

DISARM spans a dozen countries to look at how, despite a global ban, millions of antipersonnel mines continue to claim victims daily in countries around the world.

ROAD TO THE BIG LEAGUES (RUMBO A LAS GRANDES LIGAS) offers up baseball in the Dominican Republic through the eyes of local kids playing with pebbles, as well as via the perspective of Dominican major league stars David Ortiz and Vladimir Guerrero.

THE NINE LIVES OF MARION BARRY What a life this guy had! It's over now (he died in 2014, and this excellent documentary was first released in 2009), but this movie remains as a record of his "history." Yikes!

SATELLITE - TrustMovies covered this very unusual and entertaining rom-com-cum-philosophy-and-parenting-fable a couple of years back. You can find his review here.

SO BRIGHT IS THE VIEW offers a fine Romanian drama told via nothing more than a group of conversations between characters that uncover a sad and all-too-real tale of family, the workplace, love and ongoing betrayal.

SOLDATE JEANNETTE (SOLIDER JANE)  Transgressive and oddball, this little movie about -- among other things -- our consumer culture is quite the naughty provocation. You can read my earlier review here.

THAT GIRL IN YELLOW BOOTS - The quest for a missing parent fuels this dark and devastating drama/thriller tale set in Mumbai.

WE LIVE IN PUBLIC -- As the social networks continue to suck us in, questions of personal privacy abound. This film documents ten years in the life of  Internet guru, artist, futurist and visionary Josh Harris. TM's earlier review is here.

WHITE SHADOW shows us the illegal but evidently flourishing trade in Albino body parts, as experienced by an Albino on the run.  My earlier review can be found here.

The $75 price tag may seem high, but consider that you're getting ten films in all, with each one selling separately from anywhere between $15 and $25. This means you're paying around $7.50 per DVD (plus tax). Click onto the website of Indiepix to learn more.

Friday, September 7, 2012

Now Streaming: Brady Kiernan/Sam Rosen indie gem STUCK BETWEEN STATIONS

TrustMovies is very impressed with Sam Rosen. On the basis of having recently seen him in the new film, The Oranges (to be covered in a week or so) and then again the other night in a movie Rosen stars in and co-wrote (with Nat Bennett) -- STUCK BETWEEN STATIONS -- this guy seems like some kind of chameleon. Even though he doesn't look that different, I had no idea it was the same actor until I checked his bio of the IMDB.  Directed by Brady Kiernan, shown below, the movie is basically a whole lot of talking, accompanied by a lot of walking, interspersed with a few "incidents" that keep the plot a bit taut. But, ah, what talking this is!

Simply a rom-dram about two lost souls -- Casper and Rebecca, played by Rosen and Zoe Lister Jones -- who meet (oddly but not cutely) and then strike up a conversation that leads to something intimate and genuine, the movie never pushes for anything more than credibility. But because its two characters, particularly Casper, are so thoughtful, intelligent and worthwhile, we're eventually hooked and would, I think, follow these two anywhere. Having seen (and disliked) Ms Lister Jones in last year's Breaking Upwards, I am happy to report that not only did I enjoy her performance here, but I found her quite beautiful, too -- and could understand why Rosen's character had such a crush on her in high school.

As director, Mr. Kiernan mostly focuses on his two leads, following them and letting his camera move in on their graceful faces, as they try to connect and understand each other. The camerawork is as graceful as the performances, without giving us viewers any sense that we are intruding or that the camera is unduly pushing (the fine cinematography is by Bo Hakala). This shows the actors up to maximum advantage, while making the movie work beautifully.

Rosen's character is an enlisted man, home briefly from our current war, to bury his estranged father, while Lister Jones plays a young grad student involved with her advisor, whose wife has just found out about the affair. (Michael Imperioli plays the advisor, and his brief screen time is put to good use.)  Other than a not-quite burglary and a bar fight of which we see only the beginning, there's little incident. Yet for those of us who appreciate real characters and dialog so good it seems to hit that rare sweet spot between expert writing and improvisation, this is one swell movie.

Added bonus: Josh Hartnett (above), whom many of us always thought was a better actor than some of his films allowed, has a terrific little role here, as a liberal-unto-criminal friend of Caspar, who enjoys razzing his pal about his military service. Hartnett is aces, as is just about everything and everyone involved in this model independent, which was filmed in Minneapolis, where the story takes place, and in New York City. You can stream it now on Netflix, and elsewhere perhaps.