After coming down hard on
two other films opening this week that serve up torture and murder as prime enter-tainment, here I am recom-mending a third one that does this, too. The difference is that
AS GOOD AS DEAD, the new movie by
Jonathan Mossek and written by
Erez Mossek and
Eve Pomerance, offers by far the most interesting plot of the three, as well as giving viewers the most fascinating (if unplea-sant) ideas to chew on: torture as a legitimate means of obtaining information (that's ever-timely), the uses of violence and the abuse of innocent bystanders. And the moral? How about this: "The family that slays together, stays together."
In some ways this movie reminded me of the straight-to-video exploration of torture and its uses,
Unthinkable (a film very much worth seeing -- if you can withstand it. It's a hard one). The complicated plot of
As Good as Dead hinges on a terrible past event that appears to have come from the ravings of a rabidly right-wing, anti-semetic (and anti-much-else) preacher and his "flock," the some-might-say equally terrible consequences of that event, and now the further consequences of those consequences.
Out of this all comes a movie that calls into question the actions of people whose philosophy we would call "liberal" or "progressive." We're more used to seeing these kinds of actions portrayed in films about right-wing avengers or fundamentalists who feel that god has called upon them to right certain wrongs. One of the unusual and galvanizing aspects of Mossek's movie is that these actions come from the other side. It's as if America's Democrats, in terms of how they behave, had suddenly taken over the Republicans/Fundamentalist roster of lies and dirty tricks -- and then taken these to the nth degree.
The movie offers several surprising twists, but be warned: It's violent, bloody and grotesque. First-time filmmaker Mossek managed to coral a very good cast here, and each actor delivers appropriately. After the embarrassment of
Happiness Runs, how good it is to see
Andie MacDowell (above, right) is a large role and handling it well.
Cary Elwes (at right, two photos above) is as commanding as he's been since the original
Saw; Matt Dallas (above, left) is seething and sexy;
Jess Weixler is, as usual, very fine in the small role as very ill-used neighbor; and
Frank Whaley (below) all but walks away with the film as the very nasty "muscle" of the fundamentalist mob.
As Good as Dead is getting a highly limited theatrical release -- one week at NYC's
Quad Cinema, starting today, Friday, October 8. Look for it very soon on
DVD.
