Showing posts with label Shira Piven. Show all posts
Showing posts with label Shira Piven. Show all posts

Thursday, April 30, 2015

Shira Piven makes good on her promising debut with new Kristen Wiig-starrer WELCOME TO ME


Anyone who saw  Fully Loaded, the 2011 movie directed by Shira Piven (below), will probably be ready for Ms Piven's next narrative step (she's made a couple of documentaries in between): the not-easily-classifiable WELCOME TO ME. Starring Kristen Wiig in what may be her most memorable -- if not popular -- role, the movie boasts a number of other first-class performers doing some excellent work in a film that takes a look at our narcissistic, self-obsessed-as-never-before society from the vantage point of one of its crazier members.

Ms Wiig essays, with about as little vanity as most actresses would allow, the role of Alice Klieg, a woman suffering from a major personality disorder and all kinds of OCD behavior who, to boot, refuses to take her assigned medications. Helped along by her psychotherapist (a nice job from Tim Robbins) and best friend (Linda Cardellini), Alice is barely managing. And then one day, she comes into a lot of money.

What Alice does with this windfall constitutes the movie's plot, introduces a raft of new characters, and sets us and Alice on a journey that explores everything from television and talk shows to friendship, self-obsession and medication, while showing us what and who we can buy -- if we have enough money.

Through it all, Ms Wiig (above) keeps us and everyone around her both off-balance and on our/their toes. The question of just how far one can go in the pursuit of "me" is raised and, if not fully answered (the movie cops out a bit toward the end), at least puts us in touch with the kind of "power" that money brings and how, in the hands of folk like Alice (not to mention dictators like, say, Idi Amin), it can be used in ways crazier and crazier.

The movie -- like the recently released The Voices -- will certainly encourage viewers who are borderline, or who have friends/relatives in this sad state, to take their meds. Beyond this, what is the film trying to accomplish? Well, it takes our current state of women's "Oprah worship" -- narcissism pretending to be other-centered -- to its logical conclusion. It also seems to want to show us how, even among borderline personalities, there's a lid for every pot. (Wes Bentley, above, plays -- quite well, too -- Alice's lid.) I have to admit that the screenplay by Eliot Laurence (The Big Gay Sketch Show), while appearing to want to have things every which way, certainly does not cater to the expected.

For instance, the TV show that Alice "purchases," while becoming more popular than anyone first imagined, does not morph into some boffo hit. And that relationship between heavy-duty misfits is not allowed to come to much, after all. Only Alice's longtime pal, Cardellini (shown at bottom, left), is used for a little too obvious sentimental fodder. Welcome to Me is certainly not a comedy, though it has plenty of odd laughs along the way, but you wouldn't call it a drama, either. Nor any kind of rom-com. And it does not quite fit as satire.

What holds the film together are the fine performances -- led by Ms Wiig, who is as good as she has ever been in this role, followed by that of James Marsden (above, right) as the grasping television producer who'll do just about anything for money -- and the near-hypnotic pull of the narrative (the bizarre incidents really do keep you glued). Piven and Laurence may have bitten off more than they can properly chew but they've nonetheless given us viewers a kind of fractured feast that is worth trying to digest.

Welcome to Me (the title doubles as the TV show Alice finances) -- from Alchemy and running 105 minutes -- opens tomorrow, Friday, May 1, in New York City at the Angelika Film Center and in the L.A. area at the Sundance Sunset Cinemas.

Friday, November 9, 2012

VODebut: Middle-aged moms Lisa Orkin & Paula Killen in Shira Piven's FULLY LOADED

They're single, they're sexy (well, sort of) and they're out for bear. "They" are the two authors/
actresses, Lisa Orkin and Paula Killen, who co-penned the play from which Shira Piven co-wrote and directed the screenplay of FULLY LOADED, turning it into a properly cinema-tic experience, about which, if you didn't alrea-dy know of its theatrical background, I doubt you'd be at all aware.

Ms Piven (shown at left), older sister of Jeremy (who executive-produced the film), keeps it moving fast and maybe a little too furiously, as there are times we might like a breather. But better quick than dead, as can some-times happen to small films, the premise of which can easily deflate upon too close a look. The premise here has Paula and Lisa (the authors/actresses use their own names) as two single moms out for a night of fun and men. Or fun with men. Or fun at the expense of men. (Not to worry, most of the men on view seem neither noteworthy nor particularly heroic.)

Before you accuse the filmmakers of male-bashing, let it be said that these gals are not exactly the classiest of broads, either. Paula (above), though the more attractive of the two, seems to get herself into some very odd scrapes, while plain-Jane Lisa (below), though less inclined to craziness, fares no better.

Some of the women's repartee is quite amusing -- in particular, a Laura Ashley tale and an reminiscence about an aunt who was good at giving advice-for-life (below). All this may remind those of a certain age of the John Ford Noonan play (and its subsequent film) A Couple of White Chicks Sitting Around Talking. Here, they're sitting around driving (the movie is set in Los Angeles, so what did you expect?), chatting, reminiscing, making out with various men and (via surrogates) women -- and smoking, even though one of our two gals appears to have cancer (a subject that raises its head and is then summarily dropped).

The men -- take your pick from the crew below -- are varied, all right, but they exist mostly as tools to score points. The musical soundtrack that accompanies all of this is terrific; it'll take you back a ways. There are flashbacks, flash forwards, and flash-never-weres or maybe never will-bes, too. The purpose of it all, I am guessing, is to create two fairly indelible characters via these women, and to some extent, this works. They're fully loaded all right (and so's the movie) on alcohol, drugs, middle-age panic and much else.

The gals discuss sex problems and do a little role-playing to surmount these problems, and then, in the film's funniest, most suspenseful sequence, they think they're being followed by a car full of guys (below) and so try to give them the slip. Eventually, though, the films builds up a degree of sadness, if not outright annoyance, for these two women. "Grow the fuck up," you want to tell them. "And be grateful your lives were not made up entirely of picking rice in some paddy in China."

That may be the point. At least I hope we're not supposed to see these two as any kind of major heroines. They're good for some laughs, and a little serious thought. But, hell, to paraphrase what someone once said at the end of a better movie, "Forget it, Jake. It's Los Angeles."  Stick around until the end credits are nearly finished for a final laugh, as that advice-offering auntie gives additional meaning to the movie's title.

Fully Loaded, from Starz Digital Media, opens via VOD and Online this coming Tuesday, November 13. You can find it at the usual location, or click here to see exactly where it's available.