Showing posts with label the battle of the sexes. Show all posts
Showing posts with label the battle of the sexes. Show all posts

Sunday, August 25, 2019

Blu-ray, DVD & Digital debut for Bertrand Blier's classic, GET OUT YOUR HANDKERCHIEFS


You might not think it possible, but even though GET OUT YOUR HANDKERCHIEFS (Préparez vos mouchoirs) won the Oscar back in 1979 for Best Foreign Language Film, this movie seems more timely-- shocking, even -- in today's crazy climate in which Me2, Trigger Warnings and an America President who prides himself on grabbing pussy all vie for our constant attention.

What goes on in this film will set so many minds on fire (of persuasions both far right and far left) that this new 40th anniversary restoration ought to have arrived with its own special warning label attached.

The writer/director of the film, Bertrand Blier, is by now an old hand at blowing up bourgeois values and exploring other possibilities (from Going Places and Buffet Froid to Ménage and How Much Do You Love Me?), yet what he achieves here goes up against our very dearest values about protecting minors from sexuality. And how Blier achieves what he does is so subversive, funny and full-out/dead-on that, well, there's no turning back.

The film begins in a nice restaurant, as the clientele dines, and one couple -- played by Gérard Depardieu (below, left) and Carole Laure (below, right) -- discuss their problems.

Or at least he does. She is mostly silent, as he becomes further and further convinced that she needs the attentions of another male. To that end, he accosts the single male diner (Patrick Dewaere, above, center) and slowly convinces this man (who is indeed attracted to the beautiful Ms Laure) to become "involved."

From here the movie goes places that you will expect and then takes a turn, and further and further turns, that you will not, ending up in a kind of pitch-perfect black comedy vein that works on a number of levels.

The two males here are so clueless about so much that Get Out Your Handkekrchiefs proves a wonderful, almost-faux comedy about the sort of male entitlement that becomes a kind of prison. TrustMovies suspects that M. Blier would be the last male filmmaker to pretend to understand the female mind, body and psyche. But damned if he is not utterly fascinated with these, and intent on exploring them just the same.

In Ms Laure, he found the perfect specimen to befuddle in extremis his male protagonists. The actress is quiet, centered and finally quite happy indeed. How a very young fellow played by Riton Liebman (below, with Ms Laure, and above, covered in rice pudding), figures into that happiness is a large part of the filmmaker's achievement. M. Liebman centers a couple of scenes in the film, the likes of which have not been managed before nor since.

Also involved and quite good indeed are Michael Serrault (below, left), playing a neighbor initially objecting to loud music played at 3am, and Eléonore Hirt (below, right), as young Liebman's easily swayed mother.

How this movie won (deservedly) Best Foreign Language Film way back in 1979 can mostly be attributed to the huge shake-up in Hollywood that the freedom-loving 70s provided. I cannot believe it could do the same today, in an era when Matt Damon can rightly suggest that perhaps touching and rape are not quite the same thing and then be pilloried for it.

In any case, thanks to the Cohen Media Group, you can discover (or rediscover) the film now, as Get Out Your Handkerchiefs, running 108 minutes, in French with English subtitles, hits Blu-ray (in a serviceable-but-nothing-special transfer, with a nice Bonus Feature introduction by Richard Pena), DVD and digital this coming Tuesday, August 27 -- for purchase and/or rental.

Friday, November 9, 2012

VODebut: Middle-aged moms Lisa Orkin & Paula Killen in Shira Piven's FULLY LOADED

They're single, they're sexy (well, sort of) and they're out for bear. "They" are the two authors/
actresses, Lisa Orkin and Paula Killen, who co-penned the play from which Shira Piven co-wrote and directed the screenplay of FULLY LOADED, turning it into a properly cinema-tic experience, about which, if you didn't alrea-dy know of its theatrical background, I doubt you'd be at all aware.

Ms Piven (shown at left), older sister of Jeremy (who executive-produced the film), keeps it moving fast and maybe a little too furiously, as there are times we might like a breather. But better quick than dead, as can some-times happen to small films, the premise of which can easily deflate upon too close a look. The premise here has Paula and Lisa (the authors/actresses use their own names) as two single moms out for a night of fun and men. Or fun with men. Or fun at the expense of men. (Not to worry, most of the men on view seem neither noteworthy nor particularly heroic.)

Before you accuse the filmmakers of male-bashing, let it be said that these gals are not exactly the classiest of broads, either. Paula (above), though the more attractive of the two, seems to get herself into some very odd scrapes, while plain-Jane Lisa (below), though less inclined to craziness, fares no better.

Some of the women's repartee is quite amusing -- in particular, a Laura Ashley tale and an reminiscence about an aunt who was good at giving advice-for-life (below). All this may remind those of a certain age of the John Ford Noonan play (and its subsequent film) A Couple of White Chicks Sitting Around Talking. Here, they're sitting around driving (the movie is set in Los Angeles, so what did you expect?), chatting, reminiscing, making out with various men and (via surrogates) women -- and smoking, even though one of our two gals appears to have cancer (a subject that raises its head and is then summarily dropped).

The men -- take your pick from the crew below -- are varied, all right, but they exist mostly as tools to score points. The musical soundtrack that accompanies all of this is terrific; it'll take you back a ways. There are flashbacks, flash forwards, and flash-never-weres or maybe never will-bes, too. The purpose of it all, I am guessing, is to create two fairly indelible characters via these women, and to some extent, this works. They're fully loaded all right (and so's the movie) on alcohol, drugs, middle-age panic and much else.

The gals discuss sex problems and do a little role-playing to surmount these problems, and then, in the film's funniest, most suspenseful sequence, they think they're being followed by a car full of guys (below) and so try to give them the slip. Eventually, though, the films builds up a degree of sadness, if not outright annoyance, for these two women. "Grow the fuck up," you want to tell them. "And be grateful your lives were not made up entirely of picking rice in some paddy in China."

That may be the point. At least I hope we're not supposed to see these two as any kind of major heroines. They're good for some laughs, and a little serious thought. But, hell, to paraphrase what someone once said at the end of a better movie, "Forget it, Jake. It's Los Angeles."  Stick around until the end credits are nearly finished for a final laugh, as that advice-offering auntie gives additional meaning to the movie's title.

Fully Loaded, from Starz Digital Media, opens via VOD and Online this coming Tuesday, November 13. You can find it at the usual location, or click here to see exactly where it's available.